The chair moment, however, stands out particularly, and serves as a final awkward indication of
how far afield the HBO version of
Game of Thrones ended up from where it began. It’s a scene that fits the mold of an prestige-TV finale, seemingly playing towards a final moral, or underscoring a governing theme. Why do we never figure out what happens to Tony Soprano at the diner? What does it say about both America
andDon Draper that he created the most popular ad of the 1970s? A good finale must have a scene or element that looms large without being spelled out—breaking outside of the confines of literal plot significance or posing a final riddle. Here, Benioff and Weiss force our faces to the fire, demanding that we wonder why Tyrion moving these chairs is significant and wrangle with its implications, whatever we believe them to be.