Zarlak
my face causes global warming
Who keeps it by their front fecking door? What help is that. If you're asleep and someone breaks in downstairs?
Who keeps it by their front fecking door? What help is that. If you're asleep and someone breaks in downstairs?
Well most people who get shot during a burglary tend to do so by their own weapons.
I'm not fecking surprised if people are leaving them by the front door!
An argument about the midseason finale of The Walking Dead led 26-year-old Jared Gurman of Long Island (pictured left) to shoot his girlfriend, 27-year-old Jessica Gelderman, after the two engaged in a heated squabble over the plausibility of a zombie apocalypse. According to a police spokesperson who actually had to relay this seriously to reporters, Gurman said he believed strongly that a "military mishap that would result in some sort of virus being released" could definitely occur, realistically leading to the reanimation of dead flesh, and eventually causing a worldwide zombie outbreak. Gelderman, meanwhile, deemed this theory "ridiculous." Having thus reached an impasse, the two parted ways but continued to fight via text message about zombies. Like adults.
Eventually things became so "angry and bitter," Gelderman decided she had better return to Gurman's apartment to calm him down, only to find him waiting outside for her with a .22-caliber rifle. As she attempted to walk up the stairs into his apartment, Gurman shot her in the back, piercing her lung, shattering her rib, and piercing her diaphragm. After realizing he'd just shot his girlfriend of three and a half years—who had not only endured a heated, hours-long argument about zombies, but had actually driven back to his apartment with the intent of calming him with continued physical intimacy—Gurman drove her to the hospital, where she remains in stable condition. He was subsequently arrested on charges of attempted murder, having learned the real lesson of The Walking Dead: Most of the time, it's better to just stand around arguing about stuff than go shooting things.
All this over a crappy zombie show where the zombies are about as dangerous as, oh wait.
The only way a person could legitimately die to these Zombies, is if they somehow trip, fall, break their leg and or knock themselves unconscious. I'm continually shocked by people who are unable to avoid these shambling, highly growly, zombies.
It's like "Oh shit, that zombie is rapidly closing on us at about .25 KPH"
Five minutes later "Oh my god that was a close call, it came out of no where!"
It's not like they move quickly. Or take any actions to defend themselves. Nor is it like they are stealthy with all the "Grrrr, arrrrrrg, raaaaaaarr, grrrrrrr"
Why would anyone (the pervy convict apart) think she was a lesbian given that her husband and daughter have died in previous series?
I don't want to go on a rant here, but you're missing the point, in my estimation, of what zombies represent. Zombies that run, or as I call them Zoombies, are just like any other monster that runs you down and kills you, not very interesting in my mind.
But with zombies it is nearly always the failures of the individual or group that bring about death, not the superior running/fighting ability of the zombie. A good zombie story is about the breakdown of the social contract, of small groups imploding upon themselves from stress. It's best when you have strong social issues involved that sew distrust and paranoia, be they racial, social or economic.
It's no coincidence that the Romero movies have strong racial and class elements, they invariably show how the flaws in these systems lead to the destruction of both parties, especially those who think they're in a position of superiority.
I don't want to go on a rant here, but you're missing the point, in my estimation, of what zombies represent. Zombies that run, or as I call them Zoombies, are just like any other monster that runs you down and kills you, not very interesting in my mind.
But with zombies it is nearly always the failures of the individual or group that bring about death, not the superior running/fighting ability of the zombie. A good zombie story is about the breakdown of the social contract, of small groups imploding upon themselves from stress. It's best when you have strong social issues involved that sew distrust and paranoia, be they racial, social or economic.
It's no coincidence that the Romero movies have strong racial and class elements, they invariably show how the flaws in these systems lead to the destruction of both parties, especially those who think they're in a position of superiority.
I don't want to go on a rant here, but you're missing the point, in my estimation, of what zombies represent. Zombies that run, or as I call them Zoombies, are just like any other monster that runs you down and kills you, not very interesting in my mind.
But with zombies it is nearly always the failures of the individual or group that bring about death, not the superior running/fighting ability of the zombie. A good zombie story is about the breakdown of the social contract, of small groups imploding upon themselves from stress. It's best when you have strong social issues involved that sew distrust and paranoia, be they racial, social or economic.
It's no coincidence that the Romero movies have strong racial and class elements, they invariably show how the flaws in these systems lead to the destruction of both parties, especially those who think they're in a position of superiority.
Why would anyone (the pervy convict apart) think she was a lesbian given that her husband and daughter have died in previous series?
Why would anyone (the pervy convict apart) think she was a lesbian given that her husband and daughter have died in previous series?
Do tell
Why would anyone (the pervy convict apart) think she was a lesbian given that her husband and daughter have died in previous series?
All this over a crappy zombie show where the zombies are about as dangerous as, oh wait.
The only way a person could legitimately die to these Zombies, is if they somehow trip, fall, break their leg and or knock themselves unconscious. I'm continually shocked by people who are unable to avoid these shambling, highly growly, zombies.
It's like "Oh shit, that zombie is rapidly closing on us at about .25 KPH"
Five minutes later "Oh my god that was a close call, it came out of no where!"
It's not like they move quickly. Or take any actions to defend themselves. Nor is it like they are stealthy with all the "Grrrr, arrrrrrg, raaaaaaarr, grrrrrrr"
Just the ticket!
All this over a crappy zombie show where the zombies are about as dangerous as, oh wait.
The only way a person could legitimately die to these Zombies, is if they somehow trip, fall, break their leg and or knock themselves unconscious. I'm continually shocked by people who are unable to avoid these shambling, highly growly, zombies.
It's like "Oh shit, that zombie is rapidly closing on us at about .25 KPH"
Five minutes later "Oh my god that was a close call, it came out of no where!"
It's not like they move quickly. Or take any actions to defend themselves. Nor is it like they are stealthy with all the "Grrrr, arrrrrrg, raaaaaaarr, grrrrrrr"
I've got one next door. Newly-divorced, short hair, very stand-offish. Great with an AK-47 though.
Except, the danger of the zombie is actually key in a zombie show. Otherwise you might as well just produce a survival show. The key aspect in the zombie genre beyond what you pointed out, is actually dangerous Zombies.
Zombies become the external actor which affects the stresses on the social contract you are talking about.
These zombies are incapable of preserving that suspension of disbelief. They are not dangerous. They are not scary. They are a nuisance more than anything and in this show, the break down of society is based on the hardship these zombies are supposed to present.
They offer no real hardship, therefore the social issues are contrived.
There goes crabman Rick again with his dildo weapon.