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- Mar 19, 2008
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Euron’s big introduction, a scene that gets dumber and dumber the further it goes (“hey, they stole our ships!” “no bother we’ll just build more”):
The fecking sandsnakes though...
Yeah you're right. Tbh I'm talking bollocks as it's been so long since I've watched it I can't remember my exact timeline of feeling. I remember the sand snakes were the first signs of decay, and dialogue between characters took a huge nose dive at a precise point until the very end. Battle of the bastards was wicked though.
As fuming as I was with how it all ended, I'd watch it all over again. It was just amazing in parts.
Warning signs were there in season 4:
Yep rewatching it now, just finished the great war. Will so my full opinion write up after, there is definitely some major plot holes, but its the best tv show ive seen. Ridiculously goodAs fuming as I was with how it all ended, I'd watch it all over again. It was just amazing in parts.
Spoils of War? I can rewatch that battle endlessly.I'd say amazing for majority
Even s7 had a great episode for me
Unfortunately for me it's Hardhome. If it was simply just an outlier episode compared to the rest of the show's tone, maybe with a couple more like Battle of the Bastards and The Winds of Winter then it would be fine. And up until those parts of Season 5 and 6 they really were just big Set Piece episodes that managed to have such an strong impact because they were so different to the tone and pace set up by the rest of the show. But, instead, D&D decided to make these sort of bombastic episodes the norm (probably because they were so popular, which was really only because of the tonal shift compared to the episodes surrounding them, but there's no way they would ever understand that because they're fecking tubes).Was that the true ‘jump the shark’ moment? If not, it was jumping the shark and doing backflips over it.
That's kinda unfair to D&D I think. The first four seasons are TV perfection, 5-6-7 are 9/10 with some great set piece episodes.In the hands of a more competent duo then they would have probably realised the importance of maintaining the show's moderate and developing pace and how it compliments the bigger set piece moments, but instead we had two guys who saw the popularity of the big moments and just assumed flinging one at us every scene would be just as effective.
Hell, Season 8 had two good episodes - E2 and E3. I mean, sure E2 made you think we were getting ready to say goodbye to a bunch of people in E3 and it means on rewatch it's disappointing. And E3 ends in such a pathetic way that it's also disappointing on rewatch. But I don't think that takes away how much they showed the two best sides of the show.I'd say amazing for majority
Even s7 had a great episode for me
There's no denying that they deserve praise for taking something as big as ASoIaF and adapting it for TV - because holy shit that was a monumental task. And at their best they were able to do it but I also think that they missed the point of the story. The last few months have made me believe more and more that they never really understood GRRM's work. If you watch their interviews about it they also talk about how "shocking" it was to read. They never talk much about how it made them reflect on how the characters' actions led them to that fate, and that's why I feel they were the wrong choice. I think they understood "how" the Red Wedding was such a big moment, but not "why".That's kinda unfair to D&D I think. The first four seasons are TV perfection, 5-6-7 are 9/10 with some great set piece episodes.
From their interviews, it seems they lost motivation to do the same show for too long and decided to finish in 8 seasons, and thus the pace picking up around the 6th season. I remember one of the showrunners saying it was their goal to be able to do the red wedding episode while they were pitching the show.
It would have been better if HBO had picked different showrunners but with similar sensibilities after maybe season 5-6 and extend the show to at least season 10.
I think that is very difficult, even impossible, to convey that with the visual medium esp. in comparison to the ASOIF books which is all POV chapters.There's no denying that they deserve praise for taking something as big as ASoIaF and adapting it for TV - because holy shit that was a monumental task. And at their best they were able to do it but I also think that they missed the point of the story. The last few months have made me believe more and more that they never really understood GRRM's work. If you watch their interviews about it they also talk about how "shocking" it was to read. They never talk much about how it made them reflect on how the characters' actions led them to that fate, and that's why I feel they were the wrong choice. I think they understood "how" the Red Wedding was such a big moment, but not "why".
But they did do it, by following the pacing of GRRM's work. The narrative was already there for them; set up an arc, build to the moment, show that actions have consequences, use (usually) Episode 10 to have characters wax lyrically about what the defeated characters did to lead them to this point. They did it for each of the final episodes of the first three seasons because that's how they're set up in the books.I think that is very difficult, even impossible, to convey that with the visual medium esp. in comparison to the ASOIF books which is all POV chapters.
I think once they got past the easily adaptable part of the story which would be book 3, it went downhill and only via the sheer inertia of talent in the directors/actors/music creators and $$$ at their disposal that S5 & 6 were tolerable to very good.Unfortunately for me it's Hardhome. If it was simply just an outlier episode compared to the rest of the show's tone, maybe with a couple more like Battle of the Bastards and The Winds of Winter then it would be fine. And up until those parts of Season 5 and 6 they really were just big Set Piece episodes that managed to have such an strong impact because they were so different to the tone and pace set up by the rest of the show. But, instead, D&D decided to make these sort of bombastic episodes the norm (probably because they were so popular, which was really only because of the tonal shift compared to the episodes surrounding them, but there's no way they would ever understand that because they're fecking tubes).
In the hands of a more competent duo then they would have probably realised the importance of maintaining the show's moderate and developing pace and how it compliments the bigger set piece moments, but instead we had two guys who saw the popularity of the big moments and just assumed flinging one at us every scene would be just as effective.
Yeah, pretty much imo. I'll say again that they are excellent as adapting work but I genuinely think they didn't really understand the books in their entirety. And that's not saying that the books are perfect because, feck me, they can get tedious at times.I think once they got past the easily adaptable part of the story which would be book 3, it went downhill and only via the sheer inertia of talent in the directors/actors/music creators and $$$ at their disposal that S5 & 6 were tolerable to very good.
Yes. Remember watching that the first time.Spoils of War? I can rewatch that battle endlessly.
Hell, Season 8 had two good episodes - E2 and E3. I mean, sure E2 made you think we were getting ready to say goodbye to a bunch of people in E3 and it means on rewatch it's disappointing. And E3 ends in such a pathetic way that it's also disappointing on rewatch. But I don't think that takes away how much they showed the two best sides of the show.
Yep just finished episode 3 and after episode 2 there definitely needed to be more deaths and a couple of main character ones.Hell, Season 8 had two good episodes - E2 and E3. I mean, sure E2 made you think we were getting ready to say goodbye to a bunch of people in E3 and it means on rewatch it's disappointing. And E3 ends in such a pathetic way that it's also disappointing on rewatch. But I don't think that takes away how much they showed the two best sides of the show.
Episode 2 is peak GoT character development. Like all the other Nutter directed/written episodes it takes its time, it shows relatable characters, and the dialogue for the most part is strong. Episode 3 shows off the spectacle portion of the show in the way that Sapochnik does better than anyone. His DoP is the best one GoT have had, and even with the poor dark levels he hits his shots perfectly. The music, the editing, all of it oozes perfect audiovisual storytelling. Personally I would probably jizz my pants in every ten seconds if Nutter wrote the show and Sapochnik directed it.
Them getting steamrolled by white walkers at winter fell and somehow they were they alive. I literally thought Tourmund, Brianne and Jaime died that moment. Would have been unexpected and brilliant.Was that the true ‘jump the shark’ moment? If not, it was jumping the shark and doing backflips over it.
I think brienne needed to live to complete Jaime's chapter in the book. But either of the other 2 or both could have happenedThem getting steamrolled by white walkers at winter fell and somehow they were they alive. I literally thought Tourmund, Brianne and Jaime died that moment. Would have been unexpected and brilliant.
Yeah I know, just in the moment I expected characters to just get wiped out, since it being GOT after all. Was hoping for Brianne to write something like “his legacy will live on” meaning she would be pregnant with Jaime, a last Lannister other then Tyrion.I think brienne needed to live to complete Jaime's chapter in the book. But either of the other 2 or both could have happened
Hmm thats a twist i could have got on board with if they didnt have Cersei being pregnant again.Yeah I know, just in the moment I expected characters to just get wiped out, since it being GOT after all. Was hoping for Brianne to write something like “his legacy will live on” meaning she would be pregnant with Jaime, a last Lannister other then Tyrion.
Why? She was an 18/19 year old who'd never had sex and might die the next day. Seemed pretty normal to me. I just didn't like that they actually went and showed so much of herHmm thats a twist i could have got on board with if they didnt have Cersei being pregnant again.
Also dont think they should have had arya and gendry sleeping together. That was against her storyline and character.
eh? Was she a member of the night's watch or something?Hmm thats a twist i could have got on board with if they didnt have Cersei being pregnant again.
Also dont think they should have had arya and gendry sleeping together. That was against her storyline and character.
No but she had zero boys/men, just thought it was a bit random for hereh? Was she a member of the night's watch or something?
Jon standing in front of the dragon was weird as well. Not sure what that accomplished or what he intended
He probably thought that the dragon was losing its strength since it couldn't breathe fire strong enough to destroy the wee wall he was hiding behind even though it had managed to destroy The Wall at the end of Season 7.You mean when he screamed at even though he had no idea everything was just about to end?
I assume he thought he was about to die and was screaming in defiance? feck knows.You mean when he screamed at even though he had no idea everything was just about to end?
I see we we on to retrospectively shitting on the earlier seasons now as well.
No but she had zero boys/men, just thought it was a bit random for her
Yeah, as much as the material running out took it down, it was also down to good characters and actors leaving. Season 4 ending was a massacre. We lost Tywin and in essence Tyrion. They were never able to fill that hole.I don't agree that it was all bad after season 4.
Season 6 was pretty good. The Door, Bastardbowl and the season finale were all great episodes. The thing about the first 4 seasons is that even the boring episodes were good. For two reasons: King's Landing and GRRM dialogue. Almost every conversation in Westeros(the Dany storyline was always a bore, imo) was intriguing. This quickly went downhill after season 4. Mainly because a lot of great characters left King's Landing.
Yeah, as much as the material running out took it down, it was also down to good characters and actors leaving. Season 4 ending was a massacre. We lost Tywin and in essence Tyrion. They were never able to fill that hole.