Art Vandelay
Full Member
I liked Grave Encounters and As Above So Below. Both very enjoyable. The first Paranormal Activity was good, it's the ones after that where it went completely to shit when they tried to explain things.
Bored, so I think I'll write a few reviews.
On the Beach at Night Alone - Hong Sang-soo has been around for a while but he's suddenly become one of the hippest directors in the game. His prolific output (he's made 7 films in the last 4 years) of low-key romantic escapades has made him a permanent fixture at film festivals and predictably drawn comparisons to Woody Allen and Eric Rohmer. He's got the metaness of Allen and Rohmer's breezy touch but also his own brand of people getting drunk and doing impulsive things. OtBaNA was another fine, very personal effort, with the very lovely Kim Min-hee. I think his finest work though remains On the Occasion of Remembering the Turning Gate, a mirroring tale of a man's romantic travails.
Babylon - This little watched cult film deserves to be mentioned as one of the greatest British films. It had the anger and keen social realism of your Leigh's and Loach's but also an absolute killer reggae soundtrack. Almost 40 years later it remains just as fiery relevant. The resilient closing scene is one of the most powerful movie scenes I've seen in a while.
The Blackout - An alcoholic nightmare almost in the same class as Wake in Fright, though way sleazier. Ferrara is a real sonofabitch for this one.
First Name: Carmen - One of Godard's more successful late career experiments and probably the one that came closest to some sort of mainstream appeal. It consisted of three interconnected stories, a string quartet struggling to rehearse Beethoven, a washed up director trying to make a new film (played by Godard himself) and a boy and a girl on the run story, a boy who thinks with his dick and a girl terrorist that literally decided to feck the police. Add some slapstick shoot outs to that and you've got yourself a pretty decent film. It also featured an absolute killer scene set to Tom Waits' Ruby's Arms.
So, on the back of this rather positive experience I started to ponder if Godard could finally win me over. I downloaded his following film Hail Mary, hoping for a similar. experience. The first 20 minutes were promising, a wonderfully shot and poignant story about a divorcing family. Then it turned out it was actually an accompanying short film made by his real life companion Anne-Marie Miéville, meant to be played before the actual film. So then the real film started and what followed was 100 minutes absolute nonsense with the only redeeming factor being Myriem Roussel's supple body. Back in the drawer you go Mr Godard.
Lust for Life - Before DDL there was Kirk Douglas, hamming it up to the point of making a film absolutely unwatchable and getting an Oscar for his efforts. I'm struggling with romanticized depictions of Van Gogh ever since watching Maurice Pialat's uncompromisingly naturalistic take, Van Gogh (1991). Van Gogh was played by Jaques Dutronc in that one with a striking low-key intensity. My favorite passage in that film is a party at a Parisan brothel. Most directors would be satisfied just to spend a few minutes there but Pialat kept it going and going, even showing the dying embers of the party at sunrise and the tram ride home with Dutronc's empty eyes staring out the window..I doubt I'll check out Julian Schnabel's latest one even though I normally trust Willem Dafoe to do well.
Here, for some reason.I've been wanting to see this film for years. Where is it available?
@Peyroteo, stop talking about Ronaldo in the football forum and start talking about Joao Cesar Monteiro in this one instead. I watched The Last Dive yesterday and Recollections of the Yellow House today. Pure irreverent genius.
High Life - Finally an interesting modern science fiction film and it's made by the great Claire Denis of all people. The slow burning nature of her work makes it impossible to judge this now, I'll return in a month or so to give my full impression.
I kinda forgot it was him due to the low key nature of his performance and getup. So used to see him with some sort of a chic hat on, though there was a moment when he said something like 'black people die first in space too" when I felt oh yeah it's him.Andre 3000 only ever seems like Andre 3000 to me, he seems to have an inherent boldness of character that doesn't lend itself to acting diverse roles. Nice film guys but what was with the new Outkast verse in the middle of the script?
You should watch his Silvestre (1981) if you haven't already.I really need to rewatch that, loved it the first time.
I go through phases of watching a movie every day or going weeks without one which is what's happening now. I'll make sure to write some reviews here once I get back to it.
How had I not heard about this...High Life - Finally an interesting modern science fiction film and it's made by the great Claire Denis of all people. The slow burning nature of her work makes it impossible to judge this now, I'll return in a month or so to give my full impression.
Totally agree. I've loved some if Dyson's stories but this episodic adventure seemed a pale imitation of the horror anthologies of the 70's.Ghost Stories (2017)
Bloody awful.
2/10
Probably because you don't even register French-ish films, u heathen!How had I not heard about this...
Most are shit in fairness.Probably because you don't even register French-ish films, u heathen!
As is everything.Most are shit in fairness.
The Neighbor
A middle-aged man in a stagnant marriage finds his life upended when an attractive young woman and her seemingly abusive husband move in next door. Well shot and a good central performance by the ever reliable William Fichtner but the pace was lagging with a flat ending 3/10
Shot Caller was pretty good, nothing new really but worked quite well overall. Good film.
Robert Altman's Popeye. Disney joined the film as part of a two-picture co-production deal with Paramount. The film grossed US$6,000,000 on its opening weekend in the U.S., and made US$32,000,000 after 32 days. The film earned $49,823,037 at the United States box office—more than double the film's budget—and a worldwide total of US$60,000,000.: Opening Weekend: $6,310,520 (901 theaters, $7,004 average), % of Total Gross: 12.7%, Domestic Total Gross: $49,823,037, Budget: $20 million, (estimated) Rentals: $24.6 million. Putting it 98th highest grossing comic book movie. Film was kind of neat.
Yeah I read about that. The whole production for all it's flaws is really quite fascinating and I would have skipped over the film entirely if someone hadn't put me on to it. But also money.the set they built for this still exists as a tourist attraction in Malta, for some reason
It's pretty bad, yeah.Is Righteous Kill as bad as people make out?
FFS Steve, stay away from the bargain bins and watch some classy gothic horror instead!Is Righteous Kill as bad as people make out?
I watched this on the plane this week and agree with most of what you say. I just really didn't like the end and the links to Charlottesville, for me it felt forced and unnecessary. But it's a good film overall, and well acted. I really like Adam Driver.BlacKKKlansman
Tells the incredibly surreal true story of Ron Stallworth, an African American police officer who managed to infiltrate the KKK in the late 70's. Directed by Spike Lee who returns with another brilliant visceral depiction of KKK (Malcolm X the other). Here, Lee manages to manages to comically deride the KKK throughout, tearing apart the racist propaganda "Birth of a Nation" and in the opening scenes we see Alec Baldwin play Dr Kennebrew Beauregard where he fumbles over his lines with said film playing in the background, it sets up the dialogue and tone for what we are about to experience for the remainder of the story.
Lee manages to balance disgusting racist insults with nicely timed comedic moments to throughout and the story is a slow burner and builds to one particular incident. It held my interest throughout as the story is remarkable and after we get our pay off Lee adds in some modern day incidents to tie in with how our society sadly hasn't evolved all that much from the 1970s and clips of David Duke (Former head of the KKK) giving his idiotic rants after the Charlottesville car attack in 2017.
Probably one of Lee's best movies ever for me, a solid 8/10
I watched this on the plane this week and agree with most of what you say. I just really didn't like the end and the links to Charlottesville, for me it felt forced and unnecessary. But it's a good film overall, and well acted. I really like Adam Driver.
Really excellent and understated film, featuring a great performance by Amy Ryan.Wikipedia said:Gone Baby Gone is a 2007 American neo-noir mystery drama film directed by Ben Affleck. In his feature-length directorial debut, Affleck co-wrote the screenplay with Aaron Stockard based on the novel Gone, Baby, Gone by Dennis Lehane. The film stars Casey Affleck and Michelle Monaghan as two private investigators hunting for a little girl who was abducted from the Boston neighborhood of Dorchester. The supporting cast includes Morgan Freeman, Ed Harris and Amy Ryan.