Babylon. Damien Chazelle's sprawling 2022 film about the end of the silent era and beginning of the sound era in Hollywood. It follows a star actor, new hit actress, and a guy making career on the business side (as wel as a few other characters) as they navigate the film world during this period.
It's hard to talk about this film, since it's all over the place in style, tone, and narrative. Some bits work well, like the chaos of the opening party (very Luhrman-like and not something I care much for, but I can see the craft in it), the bit where a ton of silent films are being shot together (more controlled chaos, basically), and especially the start of the sound era: the way the first scene on the sound stage starts is amazing - even if it subsequently descends into another wild farce.
But on the other side, I felt a lot of scenes were unnecessarily drawn out (enormously, sometimes), a lot of plot elements were unnecessary (which matters in a 3h film), the tonal shift to a very dark (and strangely bizarre) world in the final third was exaggerated, and the character developments were poorly motivated. I also felt the shift from a naive, free world of silent film, that could be progressive and cheeky and provocative, to a much more closed-minded era where the socio-eonomic-cultural elite, criminals, and conservatism entered Hollywood was probably far too black and white - although it seems like the film is heavily inspired by Singing in the Rain, and I never saw that one; I feel that limited my understanding of certain developments in the story. And as much as I understand the film is a kind of dark homage to Hollywood, the final 'history of cinema' sequence seemed tacked on rather pointlessly. (And after a pretty good first half also selected and edited strangely; but maybe that's my lack of understanding of the history.)
So it's good but bad, impressive but dumb, joyful but very dark, everything but far too much of it. 3/5