Joke post?
Sopranos basically revolutionised television narrative scope. Arguably the best show ever at holding plots simultaneously within episodes, across episodes, across seasons, and across the whole season and interweaving them.
To me that’s the beauty of Christopher’s death, how unannounced it was. And it’s quite frank about the world they’re a part of - after 6 seasons of development, him being the golden child, he fecks up this one evening and his “father figure” offs him.
I HATE in a show or film when in a season, or an episode, you can call they’re going to die because it’s telegraphed so obviously.
Christopher’s death works for shock value on first watch, and narratively makes sense, but it works on a rewatch too because you watch his development knowing fine well after everything it’s ended in an instance because Tony finally gives up on him and sees him as a weak link.
Christopher’s death works on every level for me. For his own story, for Tony’s development, and for the final run of episodes.