I haven't remotely, I didn't just do the italics because it looks fancy I did it to indicate the emphasis on that word. I meant that it was clearly aimed to bring in average movie-goers first, and admired later. Ridley Scott's very much an average movie-goer maker, he just makes them well enough to have a lasting effect. With Citizen Kane you get the idea it was aimed at people who would appreciate it for its depth first and foremost, while having the entertainment value to make people still enjoy watching it again - i.e. the priorities were reversed. If the movie turned away average movie-goers Welles wouldn't care because it was his movie, saying what he wanted to say and made how he wanted it made.
Orson Welles the actor makes most things worth watching regardless of what else goes on when he's on the screen, from what I've seen...and that's very much the case in Citizen Kane. And it does look great even for those who don't understand the technical expertise to make it so (e.g. me). The narrative style maybe isn't as fresh now since we've seen non-linear narratives taken much further but it's still well made in that sense, 70 years on. There's plenty to like about it, but like everything taste's subjective. There will be people understand it fully from a technical perspective but still don't like it, I'm sure. To say it's a nothing film seems a bit mental to me, though...you've obviously built up a long list of watched movies, what'd be your top 10?
And yeah, I think it's significantly better. I don't think that's a particularly rare opinion either. Unless you take IMDB as a good gauge of popular opinion....