Sherlock

:lol: That was one of the worst things I've ever seen.

Moffat and Gatiss need to be reminded occasionally that Sherlock and Doctor Who are actually different shows.
 
What a load of bollocks that last 10 minutes was.

Thought it was decent up until then.
 
Loved John being chained to a well filling up with water, but that being okay because someone tossed a bit of rope to him.
 
Yeah that was crap. It went from a contrived and fairly boring series of puzzles, to the chance of seeing him try to simultaneously save John and remotely land a crashing plane, to a wholly rushed and unsatisfying climax, followed by some sentimental Mary nonsense. Is that it finished now or are they going to flog another dead season out of it?
 
I remember the first episode of the new season also being slated on here, while it actually was perfectly passable entertainment.

Sherlock at 6/10 is still better than most of the shite out there.
 
I really liked it up until the last 10 minutes... Felt the ending was a bit easy, but hey ho, the did slightly over power Euros.

Oh, that glass bit was class.
 
There were so many things that annoyed me. It was great for so long but went in the worst possible direction it could have.

I assumed Sherlock smashing the coffin would have some clever relevance later on but it was literally just another Sherlock meltdown.

The mentioned how the sister could control minds just by speaking to people yet she had spoken to both Sherlock and John previously... again, thought it may be relevant but it seems she could only do it was only when it suited.

The Moriaty tease was cool but there was literally no point in him being involved.

Do they think people care about Mary?
 
Yeah that was crap. It went from a contrived and fairly boring series of puzzles, to the chance of seeing him try to simultaneously save John and remotely land a crashing plane, to a wholly rushed and unsatisfying climax, followed by some sentimental Mary nonsense. Is that it finished now or are they going to flog another dead season out of it?
They were kept alive for future Christmas specials imo.
Tonight was nonsense, surely when the boy went missing they would have combed the area looking for him especially a dangerous area such as a well?
Ill stop there, I could ask 99 more questions like that
 
There were so many things that annoyed me. It was great for so long but went in the worst possible direction it could have.

Was it?

I thought it was decent enough (apart from the stupid motion grenade thing) up until the flashback to Moriaty, and, then, from there it was just a cascade of an utterly dire plot occasionally rescued by some decent acting before being dragged back down under the weight of its own shite.

Maybe it was just me, and this is a possibility as others seem to like it well enough, but the smug, self loving 'Euros is Saw' plot did nothing for me whatsoever and each 'twist' just made it make less and less sense.
 
Ah, but did anyone know there wasn't any glass there?

That's when I like Sherlock the most, when they trick/surprise you with something so simple.
 
This place is like a stroppy teenager when it comes to entertainment :lol:

Ending was a bit of a let down but it was pretty gripping TV until then, enjoyed it throughly. But then this place thought Rogue One was decent so the mind boggles
 
Maybe it was just me, and this is a possibility as others seem to like it well enough, but the smug, self loving 'Euros is Saw' plot did nothing for me whatsoever and each 'twist' just made it make less and less sense.

A lot of people seem to have hated it too, so it's at best been divisive.

I found Euros incredibly tiresome and hammy as a character too. Just a collection of cliche eeeviill psycho ticks and head tilts, packaged unsubtly in a "scary" Ring homage. Yawn.

The ending was terrible, obviously, but I didn't even find the set up compelling, it was just a series of contrived, largely stand alone set pieces designed to appeal to every sub set of Sherlock fans, cynically resolved in the most predictable, undramatic way; OMG, John has to kill someone!?" (No he doesn't) "OMG, he told Molly he loves her!!" (Who cares?) OMG, Moriarty's alive!" (No he isn't) "OMG, he has to chose between Mycroft and John" (No he doesn't.)

There were the occasional snippets of good dialogue and acting, but that's the minimum I expect from it. It was ramshackle mastabatory sound and fury, signifying almost nothing.

The AV club have it largely spot on.. though I'd even quibble with the few things they liked (why is Sian Brooke so great exactly? She's a walking villain cliche complete with silly costume)

http://www.avclub.com/tvclub/frustrating-brilliant-sherlock-stays-frustrating-r-248468
 
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Glad I'm not the only one who laughed at that.

The whole ending was shambolic and wrapped up in the easiest and most unsatisfactory way imaginable.

The plane is going to crash! Never mind it's just a metaphor.

Oh no Watson is going to drown! S'ok just toss him a rope. (wait what?!?)

I also like the idea that Moriarty spent some time before his death recording all these little vignettes for later use. Reminds of the image I have from the last Bond film of Christoph Waltz's Blofeld going around an abandoned building sticking up little cardboard faces of all Bond's old nemesi (is that a word) to mess with him.
 
What was those last 10 minutes ?? I loved it till then, but the last 10 minutes or so ruined it for me.
 
It was like a mixture of Saw, The Ring and Identity rolled into one TV show.
 
Was it ever explained how Watson had managed to cheat death at the end of the last one? I think I missed it.
 
Cheap, misleading cliffhanger so typical of much modern tv-writing.

Yeah, it's a trope I dearly hate. Like many things, I blame Damon "the answers don't really matter" Lindelof for it. As you say, it's cheap. You'd never accept the handwaved non answer we got for his roof top fall and faked death in S2, for example, if it had been presented in the same episode, so why should we accept it just because there were credits and a year inbetween?
 
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There are so many questions I have that could lead to a Prometheus level exercise in pulling the whole thing apart. I'm not even sure I can be bothered.

I'm actually tempted to rewatch the first 2 seasons now to see if it was really any good in the first place.
 
Does that ending mean it's done? Please let it be done.

They left it open so they can return if they want would be my guess. Doubt it will be on TV in the next few years though. Cumberbatch is in some massive films and Martin Freeman is as well. Being the BBC though will prob get a Christmas Special in 10 years time or something.
 
I'm not sure that period pieces like the Holmes stories - and also so many Victorian ghost story adaptations - really lend themselves to modern makeovers; these stories are heavily reliant on romanticised notions of the past, and seem so drab & soulless when set in our plastic age.
 
I was just reading about Sherlock's characters and I have to ask...is this show a comedy, or simply the most awful, ludicrous thing ever written?:

Wikipedia said:
Mrs. Hudson

Martha Louise Hudson, née Sissons (Una Stubbs) is the landlady of 221B Baker Street. Sherlock won his way into her good graces after ensuring her husband, who ran a drug cartel, was executed for a double murder in Florida.

Although she repeatedly insists that she is not their housekeeper, Mrs. Hudson fusses over Sherlock as if she were, and he takes it for granted that she will provide dinner for him. She is often horrified to see Sherlock keep human body parts in his kitchen appliances (refrigerator, microwave) for experimentation. In "A Study In Pink," upon first meeting John, Mrs. Hudson thought he was Sherlock's romantic partner, and throughout the show, she is seen to still believe that they are a gay couple, despite John's repeated protests that he is not gay and that he and Sherlock are not a couple.

Despite his impatience at her concern for him, Sherlock has shown to have a great deal of affection for Mrs. Hudson; for example while he often tells her to shut up when he considers her input an annoyance, he is quick to reprimand his brother Mycroft for attempting to do the same. In "A Scandal in Belgravia," Sherlock pushes a CIA agent out of a second-story window multiple times to punish him for torturing Mrs. Hudson; later in the same episode when John suggests Mrs. Hudson leave Baker Street for her own safety, Sherlock appears appalled at the notion and informs John 'England would fall' should such a thing happen. In "The Abominable Bride", Mrs. Hudson is shown upset that she has no speaking role in Watson's stories and Sherlock suggests he "give her some lines" as she "is perfectly capable of starving us".

It is revealed in "His Last Vow" (along with her full name) that she is a "semi-reformed alcoholic," a former "exotic dancer," and that her weakness is marijuana.
 
I'm not sure that period pieces like the Holmes stories - and also so many Victorian ghost story adaptations - really lend themselves to modern makeovers; these stories are heavily reliant on romanticised notions of the past, and seem so drab & soulless when set in our plastic age.

I thought the stories that stuck closer to the originals were by far the best.
 
What was the actual point of Moriarty being there? Felt like they had to find a way to explain that end to series 3 and this was all they could come up with. A master criminal saying tick tock.
 
Someone on 4chan hit the nail on the head for me with this show, they said that this is a show written by non-smart people about smart people. Non-smart people have tendency to see smart people as being like wizards rather than very resourceful.
 
Ah, but did anyone know there wasn't any glass there?

That's when I like Sherlock the most, when they trick/surprise you with something so simple.

The glass wasn't there when Sherlock visited her but then later on they put it back?
 
What was the actual point of Moriarty being there? Felt like they had to find a way to explain that end to series 3 and this was all they could come up with. A master criminal saying tick tock.

It's actually been a running theme with all the seasons. They've all ended on cliffhangers (swimming pool, rooftop, headshot/Moriarty back) and then been resolved in a wholly unsatisfactory manner. As Mockney said, the time between each new series seems to be a get out of jail free card for a lazy writer.

Someone on 4chan hit the nail on the head for me with this show, they said that this is a show written by non-smart people about smart people. Non-smart people have tendency to see smart people as being like wizards rather than very resourceful.

And that. I think when it started the way they showed him putting together a profile on someone with visual observations was quite clever but it didn't take long to realise that they didn't have any more strings to the bow so resorted to soapy drama and stock Hollywood tropes albeit with a much smaller budget (hence John's 'Stars in Their Eyes' Adobe head above).