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So great.
Where is he saying that Marvel paid for these assists ? He also mentions that the Military are pretty ''loose'' about approval which implies that the military have some involvement in these films.You keep leaving out the most important part which is for free. He's basically saying Marvel paid to use those assets unlike other movie studios.
When the Brie Larsen blockbuster "Captain Marvel" rolled out earlier this year, the Air Force launched an all-out recruiting effort, hoping to capitalize on the story of female fighter pilot-turned superhero Carol Danvers. The Air Force placed pre-show ads in more than 3,600 theaters nationwide, bought space at geek hubs such as Fandom.com, and hosted its own press events with Larsen, as well as a red-carpet screening in Washington, D.C. From at least one perspective, the Air Force effort to hitch its wagon to Captain Marvel's star was an unreserved success.
An inspirational 30-second commercial titled "Origin Story," timed to coincide with the film's release in March, was the most popular piece of social media promotional content published by any service in 2019, Lt. Col Jacob Chisolm, deputy chief of strategic marketing at the Air Force Recruiting Service (AFRS), told the Defense Advisory Committee on Women in the Services (DACOWITS) during its December meeting.
https://www.military.com/daily-news/2020/01/05/captain-marvel-effect-air-force-academy-sees-most-female-applicants-5-years.html#:~:text=Through paid media,soon to tell.
It's always fun when these type of pre-reviews come out and then when the real ones are out, they're much worse.
To be fair, that kind of crowd... genuinely does love the films, the flaws and the issues go straight over their heads, because WOW moments.
Steel is heavier than feathers."Yiz are all feckings wanks, man."
@Sweet Square is more obsessed with marvel than actual die hard marvel fans
No idea what that's about but I do think anyone over 18 wanting to watch it should be put into an asylum.
I've noticed you post in the Dr Who thread
We all have one vice I am aware of a certain irony but in my defence I tell myself at least I don't watch other ScFi shows so can allow one.
Besides I caught some Tom Baker ones and got hooked. Had I saw any other Doctor first I would still have a clear conscionence
Yet, director Scott has been unmoved. In widely criticized comments on the issue, the 77-year-old filmmaker defended his casting choices as a matter of commerce. “I can’t mount a film of this budget, where I have to rely on tax rebates in Spain, and say that my lead actor is Mohammad so-and-so from such-and-such,” he told Variety.
“I’m just not going to get it financed. So the question doesn’t even come up,” he added.
Ridley Scott is a bit of a joke to be honest.
'Exodus' racial casting controversy is a familiar one
"Exodus: Gods and Kings" has generated heated debate and controversy because of its alleged "whitewashing" of Egyptian culture.
https://www.msnbc.com/msnbc/amp/msna470956
I’d say the casting of Egyptians, Africans, and Arabs with white European actors. It’s just ignorance to say there aren’t any Egyptian/Middle Eastern actors who could have done it. Also you can maybe make a case for the main headliners ( eg Bale) but they got Sigourney Weaver to play the wife of the Pharoah. It’s ludicrous. And this is without getting into the whitewashing of Cleopatra, an African queen, down the years in Cinema.Which part of his point is wrong? It seems more about audience demand and the likelihood of attracting profit by using known actors than anything else.
Either way Scott is a spent force so I don't want to get into too much of a tiff over this.
I’d say the casting of Egyptians, Africans, and Arabs with white European actors. It’s just ignorance to say there aren’t any Egyptian/Middle Eastern actors who could have done it. Also you can maybe make a case for the main headliners ( eg Bale) but they got Sigourney Weaver to play the wife of the Pharoah. It’s ludicrous. And this is without getting into the whitewashing of Cleopatra, an African queen, down the years in Cinema.
Other than Scott bluntness, I'm not sure whats wrong here. He was just telling the truth, it's shitty that this was the case but it's a fault of the system and Scott job is to make movies. Exodus: Gods and Kings wouldn't have been funded without big hollywood stars. It's pretty much the same for Scott new film House Of Gucci, all the lead roles are american actors and it includes one of the worlds biggest pop stars as the main star. That movie wouldn't have been made if it was to include only Italian actors.Ridley Scott is a bit of a joke to be honest.
'Exodus' racial casting controversy is a familiar one
"Exodus: Gods and Kings" has generated heated debate and controversy because of its alleged "whitewashing" of Egyptian culture.
https://www.msnbc.com/msnbc/amp/msna470956
She was Greek. Part of the Ptolemaic Dynasty. Middle Eastern or Arabic/Semitic people more generally would be of accurate representation, but she wasn't black (if that's what you mean by African).without getting into the whitewashing of Cleopatra, an African queen, down the years in Cinema.
She wasn't Elizabeth Taylor white. Much of her heritage is actually unknown. Agree that ME/Arab/Semitic would be closer to the truth overall.She was Greek. Part of the Ptolemaic Dynasty. Middle Eastern or Arabic/Semitic people more generally would be of accurate representation, but she wasn't black (if that's what you mean by African).
Here is the key evidence in this argument: We are not certain of the heritage of Cleopatra's mother or her paternal grandmother. We just don't know for sure who those women were. Historical records are not conclusive of what their ancestry is or what land they come from. That leaves 50% to 75% of Cleopatra's ancestry and genetic heritage unknown—and ripe for speculation.
Is there any evidence that either her mother or paternal grandmother was a Black African? No.
Is there any evidence that either of those women were not Black Africans? No, again.
There are theories and speculation, based on sparse evidence, but no certainty where either of these women came from or what might be, in nineteenth century terms, their racial heritage.
Right there's two angles to this - the social aspect and neglect of non-white individuals; the other about film financing in general.
I think it's likely those conversations with creditors probably went something along the lines of, how can you make this not exactly popular sounding idea for a movie appeal to the widest audience, and it probably ended up with lots of star names who happened to be white. Not saying Scott did anything to change their minds but if you look at the production companies behind the movie you'll find there were 5, including Scott's own production company. It sounds like a bit of a messy system and I can see how it ended up with this sort of whitewashing.
I actually think though your point is very apt for this thread. Marvel, for all their detractors, do seem to one of the few big production companies able and willing to promote non-white actors in big-budget movies. They've harnessed an audience who're more open to seeing non-white actors in leading roles, even if they're still often peripheral figures and not the star ones. A biblical epic like Exodus: Gods and Kings, which seems as close to a tentpole movie of the cinemascope era as you can get, isn't going to lead that particular debate despite its source material.
Either way, I hope this doesn't sound too flippant because I mostly agree with you and, as I mentioned, think Scott is a bit of a dinosaur in the film world.
Edit - And yes it's undeniable Hollywood does indeed have a history of whitewashing.
Other than Scott bluntness, I'm not sure whats wrong here. He was just telling the truth, it's shitty that this was the case but it's a fault of the system and Scott job is to make movies. Exodus: Gods and Kings wouldn't have been funded without big hollywood stars. It's pretty much the same for Scott new film House Of Gucci, all the lead roles are american actors and it includes one of the worlds biggest pop stars as the main star. That movie wouldn't have been made if it was to include only Italian actors.
Tbh I find the whole modern whitewashing/only people from certain backgrounds can play certain roles argument to be a bit useless and very selective. Are you annoyed that there are no Italian actors in the main roles for the House Of Gucci ? If it's racist/bad for Christian Bale to play Moses then do you also have an issue with Denzel Washington playing Macbeth or Daniel Kaluuya playing Fred Hampton in Judas And The Black Messiah ? I mean The Egyptian Lover isn't even from Egypt!
The goal imo is to let creative people have the space and freedom to create works however they want. It's a fault of the system(Capitalism bad etc....)that even great directors like Scott still can't.
What kind of person gets in line for a trailer? What’s wrong with these people?
What's worse is that they all look fairly older, I'd expect an endless line of kids but it looks like they're all mostly late teens/early 20s!What kind of person gets in line for a trailer? What’s wrong with these people?
Did they buy tickets for this event?That's actually crazy. Wont the trailer be posted online around the same time?
"Reaction culture" has gone too far
Joking aside, apart from the quality I don't see why Kurosawa Shakespeare epics are any different than Scott bible epics(And then add in Scott has said that without big hollywood white actors he couldn't get Exodus made). Also for what it's worth Scott has set a ''good'' example plenty of times before - Kingdom of Heaven which featured a range of actors from the middle east, Thelma and Louise, Bladerunner is still the peak of multicultural sci fi, Kingdom Of Heaven, American Gangster which I think was the first film about Frank Lucas, and here is Yaphet Kotto talking about the effects of AlienHowever, on this movie in particular, I'm just going to reiterate where Akira Kurosawa went with some of his choices. I can maybe make an exception for Toshiro Mifune as he's the headliner, but look at some of these other choices.
Takashi Shimura as McDuff
Isuzu Yamada as Lady Macbeth
Hiroshi Tachikawa as an Scottish King
Takamaru Sasaki as King Ducan
I mean, are you seriously saying he's unable to get actual red blooded english actors or otherwise actor for those roles?
Also - @Sweet Square you mention Denzel as Macbeth, Kaluuya as Hampton and I'll even mention Dev Patel playing an Arthurian legend as well. I don't have a problem with any of these, because unlike white actors, PoC have always had it harder in Hollywood for these types of roles. And secondly, the casts of Macbeth isn't full of just black actors. The Green Knight isn't just asian actors. Exodus is only full of white American/European actors.