RedNome
Cnut Rating: 9 (Conservative)
- Joined
- Apr 27, 2006
- Messages
- 17,711
This is good - I like !
It certainly is, had this for a while now after someone on here recommended it a while back, can't remember who now, but yes, very good album.
This is good - I like !
Album 60: Nitin Sawhney - Beyond Skin (1999)
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Dear God no!
Whatever. You haven't liked anything I posted so I was expecting this. People need to see past the members of the band. It's a very good album.
Edit: On second thoughts, Youtube has just decided not to save the playlist I made and I can't get Spotify and it's not on Last.fm so we'll just pretend this never happened.![]()
At least tell me what it was!Edit: On second thoughts, Youtube has just decided not to save the playlist I made and I can't get Spotify and it's not on Last.fm so we'll just pretend this never happened.![]()
There's the Spotify link for you. Is this the fella from Snow Patrol's side project?
Jus gave this one a try. Surprised it didn't get much reaction on here, I thought it was a quality album. A really great sound. I'd heard the name before but never heard anythign of his as far as I'm aware, will definitely try outsome more of his stuff. Any recommendations?
And as nobody's posted an album today:
Album 57: Sonic Youth - Dirty (1992)
Album 62:
Yoñlu - A Society In Which No Tear is Shed Is Inconceivably Mediocre (2009)
Malcolm Middleton: Into The Woods (2005)
Andrew Bird's Bowl of Fire - Thrills, Apr 1998
If Stuart Murdoch's efforts with effervescent Belle and Sebastian are a little too twee for your liking, then his latest project may be a spoon of sugar in something that just wasn't your cup of tea to start with.
For those open to an unapologetic homage to the celluloid and stage musical however, this is something of a treat. Conceived five years ago, and partially fulfilling Murdoch's long-standing ambition to create a project with the pop glamour of Motown, God Help The Girl is a narrative album which may yet become a film. Heroine Eve is 'played' by Catherine Ireton, with a supporting cast of vocalists selected from entrants to an online talent competition, guest singers Neil Hannon and Asya, and a pool of 80 musicians.
Eve may be a girl with demons, as laid bare in country closer A Down And Dusky Blonde, but the tracklist is a variety show of emotional peaks and troughs that conjure potential stage scenes in every bar.
Act Of The Apostle is high-kicking chorus line fare; like Chicago with knee-socks instead of stockings and suspenders. Musician, Take Heed makes full use of the 45-piece orchestra, with potent strings and a tinge of the epic Abba about it.
Come Monday Night was the listenable proceeding single, perhaps the most typical of Murdoch's prior output, but it's the second: a smoother, slower and even funk-tinged version of the Belle and Sebastian song Funny Little Frog, sung by contest winner Brittany Stallings that will be the most intriguing to fans of old.
Murdoch's girl-group are sweet on the ear and the eye, and if the film comes to fruition there will doubtless be a following of fans with their own aesthetic imaginings and expectations to meet. Anticipation always was half the fun. --Keira Burgess
Social Distortion achieves the perfect balance between their two major influences, the country anguish of Johnny Cash and the furious punk rock sound of early Clash, on their 1992 album Somewhere Between Heaven and Hell, making it the band's finest hour. The band tears through a fair share of rollicking, straight-ahead hard rock with songs like "Cold Feelings" and "When She Begins," but they also show a reflective, heartfelt, country-inspired side with songs like "This Time Darlin'" and the hard rock tribute to "Folsom Prison Blues," the cold blooded, murderous tale "99 to Life." At times the band slows down the pace a bit more than on earlier albums, but the band hasn't lost any of the edge or attitude they had as the brash young punks who recorded Mommy's Little Monster. Social Distortion classics "Bad Luck" and "Born to Lose" find a more mature Mike Ness still continuing to play the familiar role of the steadfast underdog with better results than in previous efforts. This album had all the earmarks of a major commercial success with some radio friendly tunes and strong production, but it never found the large audience Epic records expected. Regardless of the sales totals, Somewhere Between Heaven and Hell finds Orange County's most enduring punk band, Social Distortion, at their creative peak, and this album is the crown jewel of their entire catalog.
I sort of gave up on this thread. Can someone post something excellent I've never heard before please?`
I have a Nadja record or two, and they're awesome.I'm a huge fan of Nadja, the drone/doom side project of master musician Aidan Baker.
I sort of gave up on this thread. Can someone post something excellent I've never heard before please?`
Tut tut. First someone posts a second album on friday and now someone's posting at the weekend...
Yobs and thugs.
I already have. And after posting that I won't dare to post again! Or maybe I will, after I've been to the shop.Why dont you post something !
I already have. And after posting that I won't dare to post again! Or maybe I will, after I've been to the shop.
Future Sound Of London: This kind of music really isn't my cup of tea. I don't really see the craft in it, it's like someone's going through all the sounds on their new FM synth and recording it as they cycle through the presets. I like some of the sounds but I don't have the patience required to appreciate it possibly.
Album 70.
Faith No More - The Real Thing
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LastFM: The Real Thing – Faith No More – Discover music at Last.fm
Spotify: The Real Thing - Faith No More - Spotify
Album 60: Nitin Sawhney - Beyond Skin (1999)
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Beyond Skin - Nitin Sawhney - Spotify
AllMusic Review:
Nitin Sawhney's Beyond Skin works on at least two levels. First, it's a plea against racism and war, relating, as Sawhney writes in the liner notes, that one's identity is defined only by oneself -- that identity is "beyond skin." Second, the music is an extremely accomplished blend of classical, drum'n'bass, jazz, hip-hop, and Indian elements. The album's political statements are seen most clearly in the samples imbedded in the beginning and ending of most tracks. Dealing with nuclear testing and identity, the samples are effective in setting the tone for the songs. The music is quite lush, featuring among other instruments, tablas, pianos, and cellos to equally beautiful effect. The production brings a crystal-clear polish to nearly every element in the mix, whether it's the passionate, intense vocals of the Rizwan Qawwali Group on "Homelands" or the stunning, impossibly gorgeous voice of Swati Natekar on "Nadia." The entire album is bathed in eclectic touches which never fail to maintain a poetic, accessible sense of charm and wonder. Rarely has electronic music been crafted with as much substance and style as it has on Beyond Skin. Sawhney travels back and forth between genres quite effortlessly. "Nadia" is as good a drum'n'bass track as one is likely to find. "Letting Go" suggests the coffee-table trip-pop of Morcheeba's Big Calm. "The Pilgrim" is moody, soul-searching hip-hop aided by the wiry vocals of Spek. "Tides" is an excellent, breezy jazz number suggesting Vince Guaraladi in his finest, most experimental moments. "Nostalgia" sounds like a more-relaxed Lamb. "The Conference" is a treat, featuring incredible vocal interplay that simply must be heard to be believed. "Beyond Skin," which opens and closes with a sample of Edward Murrow reading the poem "Now I'm become death," is a powerful conclusion to Sawhney's pacifistic vision. Accessible, frightening, emotional, and most-of-all accomplished, Sawhney's Beyond Skin is a remarkable album of rewarding, organic music.
Album 70.
Faith No More - The Real Thing
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LastFM: The Real Thing – Faith No More – Discover music at Last.fm
Spotify: The Real Thing - Faith No More - Spotify
Great album lad, love a bit of Faith No More.
Always preferred Angel Dust. Classic band though at their best.