Outstanding Directing for a Drama Series
David Benioff, D.B. Weiss, “The Iron Throne,” Game of Thrones
David Nutter, “The Last of the Starks,” Game of Thrones
Miguel Sapochnik, “The Long Night,” Game of Thrones
Lisa Brühlmann, “Desperate Times,” Killing Eve
Jason Bateman, “Reparations,” Ozark
Adam McKay, “Celebration,” Succession
Daina Reid, “Holly,” The Handmaid’s Tale
And yet here you are talking about them and getting a bit upset over them like they matter.Dumb&Dumber nominated for an episode with an IMDB rating of 4.2, less than half of any episode from any of the first seven seasons. Emmys are a complete joke.
And yet here you are talking about them and getting a bit upset over them like they matter.
The Thrones steamroller was inevitable. It’s the TV phenomenon of our time, in its final season of eligibility. HBO has one of the biggest voting blocs in the entire Television Academy, and several other major contenders like The Handmaid’s Tale sat out this eligibility window specifically to avoid being burned to ash by Drogon(*). Thirty-two nominations — including three of the six drama directing slots and four of the six drama supporting actress slots — would feel excessive even for a creatively stronger season, but it also seemed inevitable, given the show’s success and the relative lack of competition. (That writing nom for the finale was the show’s creators, David Benioff and D.B. Weiss, gaming the system by only submitting one script in the category, knowing there’s no way they’d be omitted altogether.)
The whole thing just feels like a pisstake, but the Emmy's have always given special preference to iconic shows in their final season's so it's not much of a surprise either.Some of those Emmy noms are absolutely hilarious... namely, pretty much all the acting ones... and the writing ones.
Who makes the decision on who to nominate? If it's D&D making the decision to put Arya and Sansa forward then it's further proof they are off their fecking heads. I don't know which was worse but they were both awful, not that they had much to work with.
Yeah, but I've not seen staring out a window done that well since Hayden Christensen in Star Wars Episode 2. It was top drawer stuff.At least they actually had stuff to do (not that the stuff that had to do was good... or that they did it well) Cersei literally spent most of the season staring out of a window.
Arya/Maisie started off as the best Stark child actor then after her dreadful assassin arc she became awful.Alfie Allen is the only one who I'd like to see win it. His entire performance has been brilliant, start to end.
Cersei, Brienne, Arya and Sansa get best supporting actress nominations is absurd. Ruth from Ozark deserves that by a country mile.
Arya/Maisie started off as the best Stark child actor then after her dreadful assassin arc she became awful.
I don't think we can judge her acting based on what we saw in GoT, given how all over the place the story telling especially with her character/development was in the last seasons.Arya/Maisie started off as the best Stark child actor then after her dreadful assassin arc she became awful.
"What's my motivation in this scene?"One suspects the writing was the problem there rather than her acting ability suddenly deteriorating. The character became ridiculously one dimensional.
She's a bit robotic in season 7 once she gets back to Winterfell - and man that scene on the ramparts in Beyond the Wall (I think?) where she's arguing with Sansa about the Joffrey letter is awful - but I thought she really brought it home in season 8. It was just nice to see her as Arya again, back home with the Starks, defending her own, getting some from Gendry, then eventually killing the Night King and trying to save some common people in King's Landing. That was the Arya she was always supposed to be."What's my motivation in this scene?"
"Dunno, just look a bit smug. That's it."
Do like this point. I think it has something to do with what California Red is saying, and it has a little bit to do with how the last season's being viewed overall. Back when season 7 ended I remember listening to a podcast who did a review of it in one go, and to do so they all binge-watched it again within a few days instead of doing one per week - every host said it worked better when viewed in one or two sittings as opposed to waiting for a week for the next one to come around. Since season 8's finished I've been thinking about that again, about how the way quite a lot of people watch Game of Thrones has changed significantly since season 6.It also didn't help that those who watched weekly were subjected to shit like "dany sorta forgot about the fleet" which binge watchers wouldn't see (the stupidity of that line wiping out at least some sort of imaginative thinking you could have). Not only that but less time to think about and analyze military strategic planning which this thread seemed to have about 50 pages worth
I do find binge watching walking dead made the show much more enjoyable than the weekly viewings and frustrations
First 6 seasons of GoT being watched weekly was an event. I reckon s7 and s8 is less annoying if you binge it (which is kinda a sad defence for such a top level show)
Oh yeah I'm not saying that it's the only reason - the GOT fanbase is too big for any simplistic analysis - but I think such a radical change in viewing habits can have an effect on how people receive a TV show.i've watched it weekly since the day it started and I can categorically say that season 8 is a massive pile of turd.
I don't think it's a reason at all. The final season was pure shite regardless of what way you view it.Oh yeah I'm not saying that it's the only reason - the GOT fanbase is too big for any simplistic analysis - but I think such a radical change in viewing habits can have an effect on how people receive a TV show.
Okay, not up for a chat, then. That's cool.I don't think it's a reason at all. The final season was pure shite regardless of what way you view it.
Actually maybe it would've been better watching it backwards seeing as it got progressively more shite the more it went along.
When you think back to the last moments between Jon and Dany that really SHOULD have been one of TV's finest scenes and the climax of 8 years of storytelling. As it was however, I don't think anyone really reacted to it with any sense of shock or loss. It was all very underwhelming, especially considering that this series is famous for delivering on these type of payoffs. It sounds mean but I think Kit didn't exactly cover himself in glory with his acting in that season although Emilia did well with the script she was given.
Euron. Fecking Euron. What were they thinking?
One of the most morally corrupt cnuts reduced to "Tee hee I'm gonna feck the Queen with my big cock!"
Euron. Fecking Euron. What were they thinking?
One of the most morally corrupt cnuts reduced to "Tee hee I'm gonna feck the Queen with my big cock!"
Cock when used appropriately is a glorious word.Pretty much when they ran out of book material, the word cock was used in every third sentence, which is one the reasons why I really started disliking the show.
That's true but there is still stuff they could've done. Replace Damphair with Yara, for example.Lack of dragon binder and the valyrian doom expeditions kind of spoiled his legend. The guy has an Armour of valyrian steel that's probably worth the iron islands itself
That's true but there is still stuff they could've done. Replace Damphair with Yara, for example.
That could've helped Rhaegal's death scene. Dany sees the fleet (instead of "kinda forgetting" about them) flies towards to it but then sees Yara bound to the prow of Euron's ship. Dany then hesitates and Rhaegal gets shot as a result.
Pretty much when they ran out of book material, the word cock was used in every third sentence, which is one the reasons why I really started disliking the show.
Cock when used appropriately is a glorious word.
Jupiter's cock!
Around 200m deal
Amazon, Disney and netflix all wanted them ha