You might already be familiar with this @Peyroteo but there's a documentary on the making of Happy Together with lots of deleted scenes from the movie.
I don't know why I picked your list in particular, but I needed an example so..... What I find fascinating is the huge variety in people's tastes etc., and exposure to films. I love films, mainly as escapism, and I think my list reflects that. Was never an intellectual pursuit for me. Other stimuli fills that need. So, at the risk of exposing myself as a celluloid ignoramus, here is what I thought of your list:
WTF. I can't believe I haven't even heard of most of these films. I saw you have a few Spanish language ones on there. Have you seen El Secretyo de Sus Ojos? Incredible film IMO.
I knew of its existence but I've never watched it and I had forgotten about it. I'll rewatch the movie and watch the documentary when my christmas holidays start. Thanks!
This is my nightstand lamp btw (it's not Iguazu falls but it's close enough):
That amazement the casual movie watcher often gets at lists like these, "Preposterous, how can there be so many I haven't heard of??". You don't really get that other mediums, like literature for an example, if there were a top 100 with books it's more "fair enough, I'm not really that well read". I guess it has something to do with how universal the medium is.
When I first watched the 90's WKW films the quality of the rips weren't the best, I've since mostly seen the blu ray rips of the films but I feel nostalgic for the old grainy versions.Well, it seems the quality of DVDs from Hong Kong is...variable.
To appreciate a film like Written on the Wind probably takes more sophistication than to understand one of Ingmar Bergman's masterpieces, because Bergman's themes are visible and underlined, while with Sirk the style conceals the message. His interiors are wildly over the top, and his exteriors are phony - he wants you to notice the artifice, to see that he's not using realism but an exaggerated Hollywood studio style . . . Films like this are both above and below middle-brow taste. If you only see the surface, it's trashy soap opera. If you can see the style, the absurdity, the exaggeration and the satirical humor, it's subversive of all the 1950s dramas that handled such material solemnly. William Inge and Tennessee Williams were taken with great seriousness during the decade, but Sirk kids their Freudian hysteria."