Sweet Square
ˈkämyənəst
Netflix is really putting out some shite for Christmas this year
You seen the series? Unfortunately cancelled after 2 very good (imo) seasons.The Exorcist
It has been a good few years since I have watched it, it was on BBC4 so why not.
It is still my favourite possession film.
The shocking parts in 1973, the head turning and the bit with the cross are I still think shocking today, even the swear words used.
The acting is very good, Linda Blair is outstanding.
Yes I think it has lost the shock and horror over the past 48 years, but it is still a must watch, for me it has everything you need in a possession film. No other possession film has even come close for me.
10/10
Season 1 was excellent, some of the best TV I have watched, loved the way the worked in some of the film, season 2 was just meh.You seen the series? Unfortunately cancelled after 2 very good (imo) seasons.
When Tubular Bells kicks in...You seen the series? Unfortunately cancelled after 2 very good (imo) seasons.
I saw this recently. Really good. Micheal Keaton is always excellent and I liked that it was a different angle to most 9/11 movies.Worth. A new Netflix film starring Michael Keaton, Amy Ryan, and Stanley Tucci about the 9/11 Victim Compensation Fund.
After the event, the US government was worried that survivors and the families of those that died would sue airline companies for compensation (apparently that could have been successful), putting a number of them out of business and crippling the US economy. Therefore, they set up a government to pay out people, and lawyer Ken Feinberg was in charge of the fund. The film follows him as he tries to get things done within the timeframe and rules given to him - with obviously a heavy focus on the question of what's fair when determining what a person's lost life is 'worth'.
Given the theme, it's often a pretty emotional film; they tell a lot of personal stories of 9/11 victims (not sure if those are all real, but the overall story is). But I think it's very well done, I really liked it (insofar as 'like' is a good word for a film like this). I wouldn't say it's a brilliant film, but it was a really good watch, well paced, well acted, well told.
Yeah, 9/11 was almost just like a good context to bring up the issue.I saw this recently. Really good. Micheal Keaton is always excellent and I liked that it was a different angle to most 9/11 movies.
Hadn't heard of this, but yeah in general A24 films are excellentZola | A24 Film
I really wanted to see this. I love A24 films - they've distributed many of my favorite movies of the last 8-9 years (Florida Project, Climax, Under the Silver Lake, Mid90s, Eighth Grade, Midsommer, The Lighthouse, American Honey, Moonlight and a ton more). I followed the original Zola twitter thread when it first came out. I like Riley Keogh and a handful of the other actors in this. But it quickly became my least favorite A24 movie. It narrates the entire twitter thread word for word and offers little more than a low-budget style docu-drama recreation of each scene. I wasn't expecting Florida Project or Climax quality but at least I thought I'd get something as entertaining as The Bling Ring or Spring Breakers. But nope. Reading the original twitter thread is more entertaining than spending an hour and a half on this garbage.
3/10
I saw this the other day and thought it was great overall. Thought Norton was great too. Although I feel the underlying mystery wasn’t as deep as it could / should have been? Otherwise I really enjoyed it. The cast was excellent.Motherless Brooklyn. I really liked this film. It's by and with Edward Norton, who tells a story (based on a book), set in the 50s in film noir style, of a private detective (ish) with Tourette's syndrome, who tries to figure out why his boss got killed - unravelling a sordid tale of corruption, power, and personal morals among city planners.
It's really well done as whole: the look, the feel, the sound, the acting, it all clicks. The story has some weaker moments and Norton doesn't have the voice to do the typical film noir voice-overs; but otherwise it's very good, I thought.
Yeah!I saw this the other day and thought it was great overall. Thought Norton was great too. Although I feel the underlying mystery wasn’t as deep as it could / should have been? Otherwise I really enjoyed it. The cast was excellent.
Zola | A24 Film
I really wanted to see this. I love A24 films - they've distributed many of my favorite movies of the last 8-9 years (Florida Project, Climax, Under the Silver Lake, Mid90s, Eighth Grade, Midsommer, The Lighthouse, American Honey, Moonlight and a ton more). I followed the original Zola twitter thread when it first came out. I like Riley Keogh and a handful of the other actors in this. But it quickly became my least favorite A24 movie. It narrates the entire twitter thread word for word and offers little more than a low-budget style docu-drama recreation of each scene. I wasn't expecting Florida Project or Climax quality but at least I thought I'd get something as entertaining as The Bling Ring or Spring Breakers. But nope. Reading the original twitter thread is more entertaining than spending an hour and a half on this garbage.
3/10
Hadn't heard of this, but yeah in general A24 films are excellent
Oh man I'm with you I HATED this film.
If you like Michael Keaton, check out ‘Dopesick’ on Hulu.I saw this recently. Really good. Micheal Keaton is always excellent and I liked that it was a different angle to most 9/11 movies.
Don't have Hulu but I'll look for it. Thanks!If you like Michael Keaton, check out ‘Dopesick’ on Hulu.
Yea that’s what I’m getting at. The actual underlying mystery didn’t have enough depth or gravitas for me. But overall, I loved the style of the movie. The aesthetic, music, acting was all top notch. I’m surprised it only got in the high 60s % wise on Rotten Tomatoes.Yeah!
I'm not sure what you with deep, but if in the sense of 'consequential' - I agree. In the end, all we have is one count of corruption by a minor character and some moral issues. A bit of an anticlimax.
Totally agree on all of that!Yea that’s what I’m getting at. The actual underlying mystery didn’t have enough depth or gravitas for me. But overall, I loved the style of the movie. The aesthetic, music, acting was all top notch. I’m surprised it only got in the high 60s % wise on Rotten Tomatoes.
Zola | A24 Film
I really wanted to see this. I love A24 films - they've distributed many of my favorite movies of the last 8-9 years (Florida Project, Climax, Under the Silver Lake, Mid90s, Eighth Grade, Midsommer, The Lighthouse, American Honey, Moonlight and a ton more). I followed the original Zola twitter thread when it first came out. I like Riley Keogh and a handful of the other actors in this. But it quickly became my least favorite A24 movie. It narrates the entire twitter thread word for word and offers little more than a low-budget style docu-drama recreation of each scene. I wasn't expecting Florida Project or Climax quality but at least I thought I'd get something as entertaining as The Bling Ring or Spring Breakers. But nope. Reading the original twitter thread is more entertaining than spending an hour and a half on this garbage.
3/10
De père en flic (Fathers and Guns). A Quebec comedy in which feuding father and son police officers are forced to re-evaluate their relationship when they are paired up on an undercover assignment in a father-son adventure therapy camp. (Summary shamelessly stolen from Wikipedia.)
It's ok. Not as good as Menteur (Compulsive Liar), a more recent film by the same director, and it takes a while before it gets funny; but then it works. Especially Louis-José Houde's little monologues are funny (but not sure how they'd come across if you don't get the French). Surprised to see that this is apparently "highest-grossing French-language film in Canadian history", but eh.
Totally agree on all of that!
Double Jeopardy - 1999
A woman framed for her husband's murder suspects he is still alive; as she has already been tried for the crime, she can't be re-prosecuted if she finds and kills him.
Great cast with Tommy Lee jones and Ashley Judd and a pretty decent film. Had never seen it until last night and even though a slow start it builds up to a great finish. Not too many twists but the overall premise of the film is very good.
8/10
Here in Canada, Netflix added a dozen or so of Quebec comedies recently. That's what we've been going through and I still got a couple on my list. It's good for me - in general it's a sense of humor that works for me. Where are you located?I'd like to check out both of these. Wonder where they are available?
Your mum's chest hair.Here in Canada, Netflix added a dozen or so of Quebec comedies recently. That's what we've been going through and I still got a couple on my list. It's good for me - in general it's a sense of humor that works for me. Where are you located?
Erm. I won't judge. Whatever floats your boat dude!Your mum's chest hair.
Sad you haven't seen Mean Girls.Erm. I won't judge. Whatever floats your boat dude!
I guess.Sad you haven't seen Mean Girls.
Attack the Block (2011)
It's been years since I saw this excellent piece of British filmmaking and even though I've seen it before, I found myself just as gripped as the first time I watched it. Brilliantly cast and brilliantly executed, this low-key horror-comedy with blockbuster aspirations just delivers on every level. In one of his early roles, a young John Boyega portrays the anti-hero in a South London block of flats suddenly overrun by a bunch of not so pleasant aliens. Assisted by his band of hoodlums and with only his streetsmarts to keep him one step ahead of the game, he somehow manages to negotiate an action packed and thoroughly engaging 90 minutes of mayhem and carnage as the villain becomes the hero, the boy becomes the man. The tables are soon turned as the hunter becomes the hunted and this is where the film excels as it peels away the different layers of the complex relationships intertwined within inner city life. The film covers the character's redemption without going over the top and the body count is just right. Whoever cast the kids in this film deserve an Oscar because they were absolutely brilliant and probably elevated the film to a level that perhaps even the producer didn't expect when s/he started the project. I wonder what the North American audiences would make of it but for me it's one the films I've enjoyed the most this year.
I'm giving this a 9/10.
Here in Canada, Netflix added a dozen or so of Quebec comedies recently. That's what we've been going through and I still got a couple on my list. It's good for me - in general it's a sense of humor that works for me. Where are you located?