RDCR07
Not a bad guy (Whale Killer)
Any good Korean film suggestions in the action/thriller category? Last week I saw The Cop, The Gangster and The Devil and that was a pretty good movie.
Any good Korean film suggestions in the action/thriller category? Last week I saw The Cop, The Gangster and The Devil and that was a pretty good movie.
Any good Korean film suggestions in the action/thriller category? Last week I saw The Cop, The Gangster and The Devil and that was a pretty good movie.
i can't say I know much in general about Korean movies, but on Netflix, I enjoyed Steel Rain about a coup in North Korea, followed by a pursuit in South Korea to figure out what happened and prevent all-out war.Any good Korean film suggestions in the action/thriller category? Last week I saw The Cop, The Gangster and The Devil and that was a pretty good movie.
What did you think of i'm thinking of ending things?
I watched it. It's quite a decent watch.Anyone watched Mulan yet?
According to my disney loving friends, it's absolutely dreadful.
Two days seems excessive, it usually doesn't go beyond the 1st AmarIt's basically what @Rooney in Paris ' every ex thought after dating him for two days.
Memories of MurderAny good Korean film suggestions in the action/thriller category? Last week I saw The Cop, The Gangster and The Devil and that was a pretty good movie.
It's possible. I've had bad luck with accessible French cinema as of late though, thought Portrait of a Lady on Fire was rather lukewarm. The last contemporary French film I really liked was Knife + Heart .With all due respect I called you French man. I wouldn't dream of mistaking you for a Frenchman.
It's on the more accessible end of the French cinema spectrum, think Sissako or Sciamma, so in an ideal world Netflix would be a good home for it. It's just a shame that we live in a fecking shit tip world. @R.N7 you might enjoy it too.
Memories of MurderAny good Korean film suggestions in the action/thriller category? Last week I saw The Cop, The Gangster and The Devil and that was a pretty good movie.
If you find the right person, it definitely is! Being alone for too long is a bit boring.Cool. Is Love worth a shot?
This has been re-released in UK cinemas, I know a lot of people don't justifiably feel comfortable going at the moment but I've finally started venturing out in the last month and saw this in a cinema and it was a great watch again.Memories of Murder
Sounds great, seeing this on the big screen.This has been re-released in UK cinemas, I know a lot of people don't justifiably feel comfortable going at the moment but I've finally started venturing out in the last month and saw this in a cinema and it was a great watch again.
It's possible. I've had bad luck with accessible French cinema as of late though, thought Portrait of a Lady on Fire was rather lukewarm. The last contemporary French film I really liked was Knife + Heart .
I've got my hands on the new Criterion rip of Beau Travail so I'll be watching that one again before returning to the 1930's binge I'm in at the moment. Might be the greatest period of French cinema as well.
In fairness, the history of French cinema is so good you don't even really need to watch the new films.
How do you feel about the New Wave? The likes of Chabrol, Rohmer, Truffaut, Varda made so many great movies. Godard too but he splits opinion.
That's the one by Antony Gonzalez's (M83) brother, right? How was his soundtrack?The last contemporary French film I really liked was Knife + Heart.
It was neat, fairly low-key. Might've been the first time I've listened to M83 in like a decade. The musical higlight of the filmThat's the one by Antony Gonzalez's (M83) brother, right? How was his soundtrack?
I want to see that. Hopefully they continue with their Denis releases. I need a restored No Fear, No Die, the copy I have is ugly as sin.It's possible. I've had bad luck with accessible French cinema as of late though, thought Portrait of a Lady on Fire was rather lukewarm. The last contemporary French film I really liked was Knife + Heart .
I've got my hands on the new Criterion rip of Beau Travail so I'll be watching that one again before returning to the 1930's binge I'm in at the moment. Might be the greatest period of French cinema as well.
It was neat, fairly low-key. Might've been the first time I've listened to M83 in like a decade. The musical higlight of the film
though was having this absolute banger rolling over the credits:
The Gentlemen
Crap, but not just crap, it is anticinema. And not in a clever deconstructionist sense, but in a lazy, contemptuous one.
From the hollow narrative gimmicks, to the random devolvement into a music video, it's clear that this is the work of a cretinous slob. However the most egregious soiling of celluloid comes in the reimagining of The Long Good Friday's final scenes as an episode of the Power Rangers. The original scene means something, it has cultural heft, it's related to the whole. It isn't something any old Tory dipshit should be allowed to lift and present as their own, without feeling the wrath of the Gods of Cinema.
Mr ex-Madonna has fecked up again. Stolen a fecking career. You should be boycotting this shit.
Thank you Frankish man.Happy birthday Nilssy, I wish you many ketamine fueled Rohmer inspired dreams for the coming year
Someone has to keep these here gates, and prevent the hordes running amuck.
Well, I enjoyed it. A bit derivative of his earlier work and clearly not as good, and the whole Hugh Grant angle/dynamic/mechanism didn't work very well for me; but I had fun watching it.
Not sure why you're going full anglophone-critic-mode on this one specifically. I mean, if you want to watch seriously bad shit, watch Pets United, which I had the misfortune to watch with my kids last evening. Nothing works in that film, including the story, animation, voice acting, or even just any of the jokes. (And that's not because I'm too old to get it.) In comparison, The Gentlemen is a roaring success of its genre. Is it because Richie pretends or aspires to something it really isn't? Or did he steal your favorite dvd? (It sounds almost personal with the Mr. ex-Madonna bit.)
Spies In Disguise
A fairly average animated film about a tech-geek and a super spy who turns into a pigeon to save the world. Some funny moments here and there. Nothing to shout about 5/10
I watched this yesterday, and it's been playing on my mind since then. I really enjoyed it, whereas I hadn't enjoyed Anomalisa a few years ago. Maybe it was the actors, maybe the setting, maybe the overall sense of unease, but this just clicked for me. There's a lot of talking and some platitudes, but the sense of dread and impending doom is pretty well conveyed. I'm sure I missed a lot of the metaphors (I have to say I stupidly went into it, unlike you, with the basic approach of the relationship ending, and the life/suicide angle only came to me later, so I'm sure there's lots that went over my head), and I'd love to revisit it in a little bit once I've digested it better and have a more accurate overall view of its message, but for me it's already one of the best films of the year.I'm Thinking of Ending Things
It's a good film with a couple of really sharp scenes and couple of duds. It feels like a b-side to Synecdoche; an accompanying minor piece that also deals with ideas previously explored in Adaptation. I found the central conceit pretty uninteresting, and did so previously when it appeared in Mulholland Drive. Kaufman's imagination is still preoccupied with the encroachment of death, decay and the yearning for Authenticity in an age of the fully fabricated lifestyle. The mind is still suffering restlessly, trapped in its corporeal prison. So the themes can feel a little overfamiliar. In terms of the tone though it's more of a continuation. It has the causticity of Anomalisa and lacks some of the pathos of everything prior.
Acting is mostly good although Muriel's Wedding is still the only time I've enjoyed a Toni collette performance. I didn't care for the scenes inside the farmhouse and the time warping doesn't impact like it does in Synecdoche. The ice cream detour was one of the highlights, and contains a heartbreaking insight about awkward children preparing to carry that burden with them throughout their lives*. The big flight of fancy finale was ok, but I've seen him do that trick better in earlier films. Most of the best stuff is in the early driving scenes.
For all the character ambiguities and Kafkaesque digressions It seems the only thing I didn't get was the title. The double meaning is there but I completely skipped the (apparently) initial implication of a relationship breakup and went straight to thinking it meant the suicide.
The brilliance of Anomalisa was that it was still all Charlie Kaufman but applied to a genuinely original insight. The disappointment here is that it's a bit of a retread. The promise of the long overdue Kaufman female perspective kind of evaporates midway through, when the character does.
*although with so many references flying about it's hard to isolate the great original lines from the great lines lifted from other works as commentary. Was that his?
You mean like a normal, well adjusted person. Maybe the double meaning is implied.I watched this yesterday, and it's been playing on my mind since then. I really enjoyed it, whereas I hadn't enjoyed Anomalisa a few years ago. Maybe it was the actors, maybe the setting, maybe the overall sense of unease, but this just clicked for me. There's a lot of talking and some platitudes, but the sense of dread and impending doom is pretty well conveyed. I'm sure I missed a lot of the metaphors (I have to say I stupidly went into it, unlike you, with the basic approach of the relationship ending, and the life/suicide angle only came to me later, so I'm sure there's lots that went over my head), and I'd love to revisit it in a little bit once I've digested it better and have a more accurate overall view of its message, but for me it's already one of the best films of the year.
Beautiful performances all around, I've actually always liked Jesse Plemons/Fake Damon, David Thewlis could speak to me of drying paint and I'd be hooked, I loved Toni Collette's interpretation and Jessie Buckley is wonderful - I'll be excited to follow her work going forward.
I wouldn't define myself as such, believe me. No but I've been talking with a friend this morning about it, another aspect that thwarted me from getting the "old man reminiscing about his life" side, which in fact seems quite obvious now, is that I liked Buckley's performance so much that there was a sort of cognitive dissonance going on for me accepting that she isn't in fact the main character, but that Fake Damon is at the heart of everything. I admire Kaufman's writing even more so, I think it's quite an original angle to take (though maybe other films have done this before), but I admit I didn't immediately get it.You mean like a normal, well adjusted person. Maybe the double meaning is implied.
I thought Beast with Buckley from a few years ago was excellent.
Yeah maybe, I'll spoiler that.Wow you're spoiling the whole film.
Who the feck is Johnny Flynn. The film is excellent.
Is this on Netflix or Amazon Prime? Or a theatre release? Sounds interestingThe Eight Hundred. Japan launched the invasion of China and Japanese forces have to take down the Si Hang Warehouse. As the Japanese army closes in, 400 soldiers stay holed in the warehouse to defend the city at all cost, in an epic battle that will last 4 days and 4 nights.
If you are a fan of War movies. You MUST see this. Absolutely epic in every sense. It’s just now behind Saving Private Ryan as my favourite war movie. It was just insane what happens after every attack and they do something else. The tension, the strategic attacks and defending, the characters are great and how real it all looks. It’s just a well done movie. Probably one of the best movies I’ve seen in years. It has English subtittles since it’s all in a different language. Seriously do yourself a favour and watch this movie. 2 and a half hours of epic warfare. Saw it in the cinema which I think is the best way to see it. 10/10.
It's in Theaters at the moment.Is this on Netflix or Amazon Prime? Or a theatre release? Sounds interesting