The trilogy appears to be set within a typical pseudo-medieval world, albeit one with a cultural aesthetic reminiscent of the Vikings and Norse mythology. But through subtle allusions over the course of the series it becomes apparent that the narrative is neither set in an alternative world, nor a properly medieval one. It is in fact set in a post-apocalyptic future of our world where society has regressed to a medieval level of technological development and political ideology following what appears to be a global nuclear cataclysm. Judging by the
map of The Shattered Sea, it appears that it is set around the Baltic Sea, particularly in Sweden. This makes the world closer to
Mad Max than
A Song of Ice and Fire despite appearing the share a stronger affinity towards the genre tropes of the latter.
The post-apocalyptic nature of the world is never made explicit because the historical perspective of the characters is so distorted. The ruins of our present (or near-future-equivalent) civilization are known to belong to “elves” while guns and radiation are feared as magical phenomenon rather than recognized as technological and natural in kind. And though there is mention of unrecognizable territories such as Gettland, Vansterland and Throvenland, they are simply the new names assigned to territories of a post-apocalyptic Scandinavia rather than independent nations within another world. It is only through the description of the elves, their ruins and “magic” that the reader is able to incrementally recognize that they are mundane artifacts of our future’s mythologized past rather than a fantastical world utterly divorced from our own history. Hence the quotes around my label of the trilogy as fantasy fiction. Despite talk of apparently non-human elves, their forbidden magic and a dead God, the world is thoroughly naturalistic even if the continuity between the future and our present is occluded by the ignorance of the characters.