Nothing! That
is what you do, you sprinkle superlatives into everything you say - nothing wrong with it, I just don't really know how to take half of it. The beauty of the Sopranos was that it was so multi-layered that so many things were left up to interpretation, but I just think you're so obsessed with the human personality that you're seeing things you want to see here. It's just something we have to agree to disagree on, but then I wasn't challenging you on it in this thread anyway. Let's leave this thread to the BB talk at least until the dust settles anyway.
That is one haunting face.
Fair enough, I do. I get very enthusiastic with things I like, admittedly.
That being said, I don't look for it; it just sticks out. To clarify, I'll draw the comparison with Breaking Bad. I think it's fair to say Breaking Bad is more towards the dramatic end of the spectrum, and that as a result the acting style tends to map that difference in the show's style. Think Gus (that is NOT to take anything away from his character!), the two brothers, the long drawn out stares (Walt/Hank in the garage), etc...
The Sopranos style of acting by comparison is grounded in a lot more realism, as you know. The setting is less suspenseful, with the vast majority of the emphasis being on the characters themselves in their more life-like roles. The acting is therefore synchronised with the sort of dialogue that emerges from that style, and the whole thing gets mightily close to replicating something genuinely realistic as a result. I think it's reasonable because of that to find a person's ability to take on the roles that those characters do, in conjunction with that type of atmosphere, 'deep'. It requires a more rounded and complex reaction to the narrative/setting from the actors in my opinion a lot of the time than some of the more extreme, purposely dramatic scenarios of Breaking Bad. That's why I say that I think they're all geniuses - the realism of the setting and dialogue requires that they match that with their acting performance. It's hard to properly explain without getting a bit philosophical, but the sort of intentions and feelings as actors that they have to generate because of that are very complex. The acting goes into great levels realism and almost every scrap of 'cliche-ness' is gone because of that, and personally I think that makes for a very pure form of acting. It's hugely untypical and unguided, and I think for the most part these actors are producing a more intricate psychology. Funnily enough though, you rightly mention the sub-plots with Meadow Soprano, but I don't actually think this applies to her as much. Same with AJ too, actually - I find these two more contrived.
Anyway, yeah... there are different ways you could look at this (you could maybe argue that the need to produce drama is a hindrance and requires adaptation), but that's my outlook regarding the immersion point. It's why I hold the acting performances of the cast of the Royle Family in such high esteem too - the same thing is going on there to an extent. It's not to say that the Breaking Bad cast or other actors aren't capable of this, but that's the reason that the characters of the Sopranos so unique, for me - they're acting like that (with that platform for expression)
and pulling off the most subtle of developments in doing so. The character development, like the acting itself, matches that complex setting I yap on about up there, and that allows for a pretty much unparalleled level of immersion in my opinion.
Agree to disagree, though. I've not said anything I haven't said before so an agreement would never be reached. I also make that point there and say Breaking Bad's acting is more dramatic/artificial in style than The Sopranos', but it's not exactly a million miles away either. It also speaks volumes about the cast in my opinion that they can all be a part of that without the acting seeming Hollywood-ish for the most part, and it's stuff exactly like that image you posted there that makes me think Anna Gunn would walk straight into that style and excel. That woman is a very different person from the one at the start of the show no doubt, and that is the face of someone capable of imitating a very complex psychology.
*Anna Gunn is actually in Deadwood come to think of it - surprised I forgot about that.