Film The Redcafe Movie review thread

Back to the Future

Somehow had never seen all of this. It's got a lot of 80's cheese to it, but still works and is an enjoyable, upbeat movie. Can see why it's so popular with people, enjoyed it.

7/10
 
Biutiful was a good non multistory Inarritu film.

Yet to see it 'cos I was put off by his Death trilogy, but I'm back on board with Iñárritu now. Plus I love Bardem in Spanish shit. Ever since he played a bald, middle aged paraplegic in The Sea Inside.

Have you seen Birdman yet Nilson? I need a good poncy film cnut to talk about it with!
 
Yeah, I certainly saw it as such. I also thought Riz Ahmed was great. Not a showy performance, but considering he was playing American, and at least 10 years younger for some odd reason, I bought him completely.

I think you'll like Birdman, but it's potentially devisive. It's pretty poncy, and I disliked both Babel & 21 Grams for their uber self importantness, but this somehow avoids all his usual pretentious pitfalls with humour, and a heavy dose of undercutting. Norton almost steals it too, and I've never been a huge fan of Norton.

I thought it was a shame that Norton basically vanished from the film in the end, his scenes with Stone in particular were quite good.
 
Yeah, if I've a criticism its that virtually all the supporting cast fade out after the hour (well that, and the obligatory screenwriter's cathartic cliche of a critic) but it makes sense in the grand scheme tbf. It seemed for all the world like Norton was going to upstage Keaton, but it works that Keaton's performance gets bigger as it goes on.

My god that sounds poncy. This might be my ponce event horizon. I'm going to watch Wild Things.

I thought Biutiful was rubbish, not quite as rubbish as Babel, but a bit more rubbish than 21 Grams. Still want to see Birdman cos I like Michael Keaton.

I went into it with my dislike for his singular form of art-house depressiveness foremost in my mind. And tbf the first few minutes had me worried (think jazz drum solo over weird Malik-esque shots of beached Jellyfish accompanied by portentious Raymond Carver quotes) but it won me over pretty quickly. Either he had a sense of humour all along, or his screenwriter stealthily undercut him at every turn without his knowledge.
 
I'd forgotten about that, but yeah, that whole character was sort of pointless. She was also introduced in a weirdly eccentric way that she never conformed to again. Didn't bother me at the time, but on reflection I'm sure there are lots of things like that I could quibble with. The whole one-take schtick whips you along without thinking too much. It's possible I'll hate it after a few re-watches. I'm fickle like that. But I will at least watch it again, unlike Boyhood, which was an equally ambitious and admirable filmic experiment, but one I'd run a mile from anyone who tries to make me watch more than 10 mins of it again.
 
Northern Soul (2014)

enjoyed it. Good music and good fun.

But i cant help to wonder if they really danced like that back then, or it was just all those pills making believe the survivors of that era they used to dance like that?

anyway... 7/10
 
I basically thought everything it was trying to say was pretentious eye-roll-worthy twaddle that was still enjoyable due to great presentation and acting. It's hard to now if a rewatch would allow me to enjoy the latter more or just make the former more grating. In the end I think it'll be the best of these January releases though.
 
I basically thought everything it was trying to say was pretentious eye-roll-worthy twaddle that was still enjoyable due to great presentation and acting. It's hard to now if a rewatch would allow me to enjoy the latter more or just make the former more grating. In the end I think it'll be the best of these January releases though.

Interesting. The very thing I liked about it was that it didn't seem to be "saying" anything. To me at least. It definitely looked like it was going to at times, but then it would instantly undercut that with someone (usually Stone) calling bullshit. I thought it was almost South Parkian in it's dedication to showing everyone as a self-obsessed bullshitter.

But then I could've just been looking for that. I was in an unusually positive mood. The jazz drum jellyfish stuff would've clearly put me off on another day.

Also the ending was a bit conflicting..

I called the 'he'll use a real gun' thing the second that scene came up (it's a standard rule of writing) and there's an argument that the better, neater, more complete ending was him killing himself. But then that would've also been the obvious, and thus less satisfying ending. And while I liked that they didn't take it, and also like the hospital scene, it did make it messier, and the actual ending seemed to fizzle out a little flatly.
 
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Birdman: A genuinely exceptional black comedy brimming with energy, great performances; benefiting from a brilliantly sharp and well observed script and using the one continuous take angle to great effect (it’s not actually one continuous take but they've done a good job of trying to make it look like one). It been a long time since I've seen something this fresh and this would have been a solid 9/10 score but for a little overuse of CGI during the last fantasy sequence (it lasted a little too long for my liking), I've never been a fan of magic realism especially in novels but its use here didn't feel like it got in the way at any point of what is a very sharp and satirical script partly about the battle between commercialism and art. An exceptional film that is brilliantly directed, scripted,constructed and acted. Highly recommended and very funny throughout (when it’s trying to be of course). I’d happily pay to see it again.


8.5/10
 
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Thought Whiplash was good, but with an exceptional first half. Right from the first scene the film is driven by this mad, stylised and hugely thrilling atmosphere. It has this infectious kenetic energy that threw me totally off balance.

I didn't think the film fared so well later on when it dabbles in what I felt were rather stock character and relationship elements. They didn't seem necessary and it made the film feel unbalanced. The rousing finale does a "good job" but I was hoping for something a little more (something less contrived, less Rocky) given the early promise.

The cast, music and direction were brilliant.
 
The Amazing Spider-Man 2 - too long, too boring. Too many conversations between characters which added little to the story. Not as good as the first film and I don't think I laughed at any of their 'jokes'. Emma Stone is excellent. The film is not. 5/10.
 
An adult man’s emotional world is reminiscent of 'Frozen' heroine Elsa’s internal struggle

Disney’s Frozen, which earned more than $1.2 billion at the box office, is not only the first “princess” movie to make the list of top 10 grossing animated films, but also the number-one animated film of all time. Its songs and characters are culturally ubiquitous.

Adult men have long been drawn to princesses. But what is it that makes Frozen so much more appealing than previous princess movies—and why does it enrapture fully grown adult men in particular? As psychologists (who happen to be sisters just like the heroines in the film) and the girlfriends of princess-loving men, we decided to consider this question.

First, an adult man’s emotional world is reminiscent of Frozen heroine Elsa’s internal struggle: Her emotions are strong, passionate — and seem uncontrollable. Adults too, are driven by their impulses. When Elsa laments that she’s afraid that there’s “no escape from the storm inside of me,” it resonates with adults (and perhaps their patience-tested parents, as well).

Second, adults’ imaginations can make the world a wondrous place filled with the possibility of excitement and adventure. Fully grown men respond to stories that employ magical realism, so Elsa—as a superhero with what one of our adult men's (Dante’s) and his friends call “ice powers” (the ability to create a whole castle of snow and ice using only her fingers)—has special appeal. Perhaps because they are so in awe of her magic and power, adult men are less likely to get caught up in Elsa’s experience of isolation and desperation when she is locked away in her room as a girl and hides herself in a remote castle as a woman.


But with the allure of magic and the sense that anything is possible comes a high potential for terror. Dante particularly liked that there isn’t a witch in Frozen. Though he adores other Disney princess movies, the witch-like characters (like Mother Gothel in Rapunzel) are all too real. The scary parts in Frozen are minimal and temporary, and the villain is an ordinary guy who sings a catchy love song.

Thirdly, Elsa has a genuine connection with her sister, Anna. Despite Elsa’s repeated rebuffs to Anna’s attempts to develop a friendship throughout most of the movie, their bond underscores dedication to family above all. Adults are deeply entrenched in their families and tend to demonstrate a strong in-group attachment, meaning that they favor members within their social circle. Even when Frozen viewers are rooting for Anna to form a relationship with her love interest Kristoff, the love between the sisters is much more appealing. The heroines of Frozen are authentic and real, and no longer solely focused on finding a prince. They preach sisterly love and girl power.

Finally, the sing-along music seals the deal. Dante and his friends love to sing the anthem “Let it Go,” wagging their fingers at each other: “Be the good girl you always have to be!” They stomp in unison, pretending to be Elsa stomping on the ice to create her castle. Even Maryam’s 1-year-old son gets into the act, mimicking their behavior.

When asked what he thought the song was about, Dante smiled and put it succinctly: “It’s about Elsa being happy and free, and nobody bothering her.”

So there it is, the crux of the matter: a universally appealing desire to be happy and free.

Perhaps understanding the perspective of a fully grown adult man can help us appreciate some of what draws us all to this movie: We all feel internal struggles with our impulses. None of us really wants a (too) scary villain. Most of us are pretty loyal to our families, despite their eccentricities and the emotional challenges that we face at times. And all of us want to be happy and free.

Here's a great article explaining what's so appealing about Frozen. All you haters can piss off.

http://time.com/3656230/why-kids-cant-resist-frozen/
 
Just watched Gone Girl. Brilliant plot, had never read the book. Though I felt the second half made it feel long, it kept me watching and waiting for something.
 
I'd forgotten about that, but yeah, that whole character was sort of pointless. She was also introduced in a weirdly eccentric way that she never conformed to again. Didn't bother me at the time, but on reflection I'm sure there are lots of things like that I could quibble with. The whole one-take schtick whips you along without thinking too much. It's possible I'll hate it after a few re-watches. I'm fickle like that. But I will at least watch it again, unlike Boyhood, which was an equally ambitious and admirable filmic experiment, but one I'd run a mile from anyone who tries to make me watch more than 10 mins of it again.

I think you are spot on about both films in general (I don't think there are any characters that I felt were pointless). Birdman is fresh, interesting and well executed, Boyhood is only ambitious in its premise, the actual execution is poor and Ethan Hawke's character Mason snr aside I can't think of a single interesting character in it apart from Mason Jr during his youngest years. As Mason Jr gets older he get progressively more and more boring which is sad considering how much time and effort must have gone into making the movie.

Clearly a lot of that effort should have gone on a better script and supporting cast; Arquette is ok, her lecturer husband is a terrible actor who belongs in a daytime soap opera and linklater daughter really need to be given more depth than just an average awkward and gawky teenager (the same for Ellar Coltrane as he gets older).

I think the critics got carried away by the premise and forgot to review the finished product. Very average and a bit like a slightly more upmarket daytime soap.

I thought Birdman was great though.
 
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It was brilliantly realised, had more moments of empathy in it than any film I've ever seen. Arquette was top notch, better than Hawke, who was just doing Jesse from the Before series, which was fine. Best film of the year and will be seen as something of a landmark.
 
Here's a great article explaining what's so appealing about Frozen. All you haters can piss off.

http://time.com/3656230/why-kids-cant-resist-frozen/

Not a fan of Disney, although I admit that they do create the whole myth of "princess", "knights in white shinning armour", "cinderella" mentality which spans over generations (although this probably is replaced with "being bitten by a OMGWTF cute vampires with blue eyes and we're going to have immortal sex that last for days, thesedays)

Just not my cup of tea perhaps, if they make it real and people die in there I might give it a watch (as in real death, and not a glorify the king is old and dying that kind of way). Maleficent is getting closer to a darker disney, but it's still a long way to go.
 
Back to the Future

Somehow had never seen all of this. It's got a lot of 80's cheese to it, but still works and is an enjoyable, upbeat movie. Can see why it's so popular with people, enjoyed it.

7/10

I assume you've seens the trilogy? Instead of just Back to the future?

And boy what a ride that was, flying cars, a glimpse of the future (with flying skate board), and this is all in the 80s. To be fair to them, the way they portray the future isn't too far fetched.
 
Here's a great article explaining what's so appealing about Frozen. All you haters can piss off.

http://time.com/3656230/why-kids-cant-resist-frozen/

All of that applies to practically every good animated film about magic...which is a lot, obviously. I'm not saying Frozen isn't brilliant - I've never seen it - but she certainly hasn't captured what has made it so incredibly successful, she's just "cracked" the formula for every film of its type.
 
Yeah, I certainly saw it as such. I also thought Riz Ahmed was great. Not a showy performance, but considering he was playing American, and at least 10 years younger for some odd reason, I bought him completely.

I think you'll like Birdman, but it's potentially devisive. It's pretty poncy, and I disliked both Babel & 21 Grams for their uber self importantness, but this somehow avoids all his usual pretentious pitfalls with humour, and a heavy dose of undercutting. Norton almost steals it too, and I've never been a huge fan of Norton.

Norton did steal the show in my view. Thought he was terrific - the best he's been in god knows how long... probably 25th Hour or Death to Smoochy or something.
 
I thought Boyhood was really good in the end, even though I was very suspicious going in. I couldn't really explain why, I think some criticism here is spot on, that when they're teenagers they could be more interesting and so on, but I think part of what pleased me was how Linklater managed to make their banality interesting. Maybe not 'interesting', not sure that's the right word, but managed to keep me invested in the film and curious about what was going to happen.

Also, I fancy Birdman after reading your exchanges on here, but it's impossible for anyone having seen Rick & Morty not to think of this guy:

maxresdefault.jpg


(who is also Eboue)
 
Birdman: A genuinely exceptional black comedy brimming with energy, great performances; benefiting from a brilliantly sharp and well observed script and using the one continuous take angle to great effect (it’s not actually one continuous take but they've done a good job of trying to make it look like one). It been a long time since I've seen something this fresh and this would have been a solid 9/10 score but for a little overuse of CGI during the last fantasy sequence (it lasted a little too long for my liking), I've never been a fan of magic realism especially in novels but its use here didn't feel like it got in the way at any point of what is a very sharp and satirical script partly about the battle between commercialism and art. An exceptional film that is brilliantly directed, scripted,constructed and acted. Highly recommended and very funny throughout (when it’s trying to be of course). I’d happily pay to see it again.


8.5/10

Agree with all of this, it really is only that fantasy sequence that puts a slight "-" against it for me, but that is just my taste, others I went with thought it was quite cool, especially with how it rounded off outside the theatre.

Virtually everything about it was perfect.
 
I thought Boyhood was really good in the end, even though I was very suspicious going in. I couldn't really explain why, I think some criticism here is spot on, that when they're teenagers they could be more interesting and so on, but I think part of what pleased me was how Linklater managed to make their banality interesting. Maybe not 'interesting', not sure that's the right word, but managed to keep me invested in the film and curious about what was going to happen.

Also, I fancy Birdman after reading your exchanges on here, but it's impossible for anyone having seen Rick & Morty not to think of this guy:

maxresdefault.jpg


(who is also Eboue)

Well, actually RiD, according to IMDB:

Birdman or: How I Learned to Stop Worrying and Wubalubadubdub tells the story of Birdman (Michael Keaton) who, following a difficult mating season, attempts to forge an intense soulbond with his current spiritmate, Tammy (Naomi Watts). Rated R for adult themes, drug use and graphic bukkake.
 
Well, actually RiD, according to IMDB:

Birdman or: How I Learned to Stop Worrying and Wubalubadubdub tells the story of Birdman (Michael Keaton) who, following a difficult mating season, attempts to forge an intense soulbond with his current spiritmate, Tammy (Naomi Watts). Rated R for adult themes, drug use and graphic bukkake.
That's rickdiculous.
 
The Tortured
Wow. Using the kidnap and brutal murder of a child to setup low-brow torture porn entertainment? That's what this film does. The two lead actors were really good and I would have thought the writer/director would explore more of the moral consequences of the parents capturing their child's murderer to torture him, kind of like Prisoners but instead it's just random gore scenes, which could have been cut from 30 mins to 3 mins and been more effective. The twist at the end was also a facepalm moment. Had a decent opening and decent soundtrack 4/10
 
Watched Imitation Game.

Very good. Enjoyed it. Recommend it. Cumberbatch was very, very good in it.
I had no idea how bad homophobia was back then.
 
Whiplash - Great performances and held my attention for far longer than a movie with that much drumming has any right to. At one stage it threatens to go off the deep end into an overblown twisty psychological thriller but reins it in just enough. Have to say the ending left a bit of a bad taste for me.
Am I supposed to be happy that two rather nasty people got what they wanted?
7.926/10
 
Whiplash - Great performances and held my attention for far longer than a movie with that much drumming has any right to. At one stage it threatens to go off the deep end into an overblown twisty psychological thriller but reins it in just enough. Have to say the ending left a bit of a bad taste for me.
Am I supposed to be happy that two rather nasty people got what they wanted?
7.926/10
Good movie but I wanted more. Ending was just a nod to the solo performance they were talking about.
 
I saw quite a few, the ones I liked: The secret life of Walter Mitty, Twelve years a slave, The Rover, Grand Budapest Hotel, Captain America 2, X Men Days of Future Past, 22 Jump Street, Edge of Tomorrow, Guardians of the Galaxy, A most wanted man, Boyhood, Gone girl, How to train your dragon 2, The Lego Movie, White bird in a blizzard, Under the skin, Interstellar, Nightcrawler, Rise of planet of the apes, A most violent year.

All released in 2014 in France (though A most violent year was released on December 31st), films I enjoyed.

Haven't watched Her, Enemy or Philomena which I think I'd enjoy. Maybe The Double too.