The Invisible Man (2020)
On general release in the UK today, The Invisible Man is a rehashing of a familiar and often told story about invisibility and the power that comes with it. I'm not sure whether this sits as part of the Dark Universe, which was butchered by Cruise's offering of the Mummy, but this could possibly have saved it's bacon and brought it back on track. As a standalone movie though, it does just fine by itself.
Although this film would not necessarily be considered 'arty' enough to receive Oscar recognition, if Elisabeth Moss does not at least get some kind of nomination in next year's Golden Globes or Oscars then feck the lot of 'em. I'm calling it now, quote me. The Invisible Man is a genre-twisting rollercoaster of emotions with an absolutely knock out performance from Moss who lays it all out there in an intense 2 hours of suspense, thrills, shocks, twists and great but understated sfx. Added to that an awesome and atmospheric soundtrack and what you get is a brilliantly crafted, well paced and great looking piece of cinema.
From the very opening sequence, the director sets his stall out and you're under no illusion as to what to expect as far as the suspense is concerned. Even though I kinda knew what was coming, I still found myself completely gripped and absorbed in the film. You could hear a pin drop in the cinema in the first 5 minutes. Rather than waste time on pleasantries, the film just goes straight for the jugular. Yeah we all know about the invisible man, but this is done with a new perspective. Here, we get to see a woman, subjugated by her man for years fighting back and eventually coming out on top. Moss was able to portray the tortured and downtrodden soul, fighting against all the odds where even her closest family and friends think she is crazy with such conviction, that yeah I was completely smitten. It's a horror-thriller. No, it's a revenge-thriller. Ah, feck it. It's another victory for the MeToo movement but without all the social posturing.
With a couple of genuine shock and wtf moments thrown in for good measure, there should be something here for everyone. Of course with most films nowadays, you find yourself scratching your head and having to take those small leaps of faith to go along with the plot and ending and The Invisible Man is no exception here but when the credits roll, you'll happily excuse those deficiencies and come away very satisfied. I know I certainly did. More Elisabeth Moss please.
I'm giving this an 8/10.