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- Oct 22, 2010
- Messages
- 62,851
Mission Impossible: Fallout
The best of the series, I think. Great stuff.
8.5/10
The best of the series, I think. Great stuff.
8.5/10
Exactly what I said about it.Creed 2 was gash. Just a rehash of Rocky 4 but without being fun and uplifting. Sly has weird eyebrows too. Looks like his old mum used to.
To kill a king was good. It follows the events surrounding the trial of Charles I. Tim Roth is inspired casting as a particularly scabrous Cromwell and Everett is enjoyable as the king. It goes a bit Horrible Histories but I quite like that. It does a good job of painting a moral morass, replete with split loyalties, self serving politics and @Eboue -sque betrayal. It plays a little fast and loose with the recorded history and it strangely omits the juicy trial and plea theatrics. More Eikon Basilike than Eikonoklastes but fun.
Exactly what I said about it.
Creed 2
I was looking forward to this , Creed was excellent , good story , cracking fight.
This felt more like a remake of Rocky 4 and a poor remake at that.
The story was almost identical , I was massively disappointed
4/10
Once upon a Time in Hollywood.
I really dislike this movie. I love tarentino films. Hateful 8, Django, kill bill, pulp fiction and reservoir dogs. All great, loved every minute of them. But this movie is fecking boring! There was no point to this, boring plot. Dicaprio and Brad Pitt were brilliant on their half. Margot Robbie side story did nothing to the movie, completely pointless. The last 40 mins were at least entertaining and the last 15 mins were funny as hell. Other then that, I can confidently say this is the worst tarentino movie.
6/10
Once upon a Time in Hollywood..
Definitely one of Tarantino's best. I'd have it behind Pulp Fiction, Reservoir Dogs and just Hateful 8. It was such a nostalgic and refreshing look and retelling of a time period. The use of popular culture references have always been Quentin's biggest post modern traits, in this film it was more celebrating aspects of the industry he clearly loves. The cinematography was consistent and use of Sunny LA was great. Di Caprio and Pitt were hilarious on screen and film was at a chilled pace, except for the finale. I think the middle act suffered from pacing but kicked on well again. It's a film that keeps you wondering about where it's going. The fear of how Tarantino would address the Tate incident was so tasteful. I can see future self hungover watching this over and over again, brilliant performances with originality, humour and taste.
8.5/10
Yep perfectly next to each other
Guess this is what is called as getting mixed reviews
Completely agree. Deckard being a replicant makes no sense at all, it was just Scott trying to be clever.For me Deckard is not a replicant. There's too many leaps and too many people involved for that to be plausible and he gets smacked around physically by the replicants, he's no match for them at all. It's a better story for me if he's a human that's been killing them for years and is now questioning his humanity. But I liked that it was open to interpretation before Scott tinkered again and then started outright declaring Deckard a replicant in interviews. The question of the replicant's humanity and Deckard's humanity are two of the best bits of the film, they don't need outright answers.
10/10
It really wasn't, the dream sequence with the unicorn and the origami at the end?Completely agree. Deckard being a replicant makes no sense at all, it was just Scott trying to be clever.
I could be wrong but the unicorn dream scene and the pupils were added later on(The unicorn scene is from another film Scott was working on). Ford, Hauer and I think even the writers never thought Deckard was a replicant.It really wasn't, the dream sequence with the unicorn and the origami at the end?
The clues with the replicants regarding the pupils in the dark. If you pay attention the clues are there. It's not about Ridley trying to be clever.
There are seven cuts of the film. The directors cut and final cut are the intended versions by Ridley. The other versions with the voice over and Shining Hollywood ending ect have to be disregarded. That's too long a discussion but let's just say Ridley had no creative control. I don't know when you seen Blade Runner and what version.I could be wrong but the unicorn dream scene and the pupils were added later on(The unicorn scene is from another film Scott was working on). Ford, Hauer and I think even the writers never thought Deckard was a replicant.
Also if Deckard is a replicant, how does the final fight with Batty make any sense ? The point(Well one of them as there are countless interpretations, I guess)is that Batty a non human machine is able to be more human (By saving Deckard and not killing him) than the actual human being he is fighting against. The tears in the rain speech is the moment were there is no difference between a replicant and a human.
If Deckard is a replicant then the final fight is just robot wars.
I'm not arguing the Scott doesn't think Deckard is a replicant but that he is the only one who does(If Scott started with the intention of Deckard being a replicant, then why didn't anyone include the Ford know this until years after the film came out ?)There are seven cuts of the film. The directors cut and final cut are the intended versions by Ridley. The other versions with the voice over and Shining Hollywood ending ect have to be disregarded. That's too long a discussion but let's just say Ridley had no creative control. I don't know when you seen Blade Runner and what version.
All I can say is the tears in the rain speech was done by Hauer right at the end. He was quoting different poetry and Scott liked it.
I'd advise you too watch the commentary on the final cut. I've written and spoke about this film too much, done my thesis on my second degree on it. On it's post modernism influence on cinema. Trust me, he's a replicant and clues are subtly scattered. It wasn't something just made up years later.
If you like the film and want closure watch the final cut commentary by Scott.
There are seven cuts of the film. The directors cut and final cut are the intended versions by Ridley. The other versions with the voice over and Shining Hollywood ending ect have to be disregarded. That's too long a discussion but let's just say Ridley had no creative control. I don't know when you seen Blade Runner and what version.
All I can say is the tears in the rain speech was done by Hauer right at the end. He was quoting different poetry and Scott liked it.
I'd advise you too watch the commentary on the final cut. I've written and spoke about this film too much, done my thesis on my second degree on it. On it's post modernism influence on cinema. Trust me, he's a replicant and clues are subtly scattered. It wasn't something just made up years later.
If you like the film and want closure watch the final cut commentary by Scott.
If you really want closure read the original story by Phillip K Dick where the creator of the character wrote Deckard as human
In battles of canon the original creator always trumps the adaptator.
https://en.m.wikipedia.org/wiki/England_Is_Mine'Life, in its humdrum sense, is worth avoiding. It's the factory for father, and the kitchen for mother. It's arguments at the dinner table, missing children on the news. And, through it all, a sense that things are slowly falling apart...'
Sakura Ando <3Shoplifters (2018 - Japan)
A brilliant little movie from the creator of The Third Murder a few years ago. The plot centers around a poor family on the edge of society in Tokyo that shoplifts to survive. Great cinematography that my friend said was very reflect of the poor districts in Tokyo and the story itself is quite original and very touching.
What I like most in the scenes are how so much information and emotion can be packed into little gestures. Subtext is a technique that reveals the true masters and Hirokazu Kore-eda is an international filmmaker at the top of his game. Highly recommend this to anyone into high quality drama.
Yeah, but what about Mark Strong?Sunshine (2007)
A nice sci-fi flick with a great cast incl. Chris Evans, Michelle Yeoh. A spaceship carrying a bomb to the sun to "restart" the star gets a message from it's lost predecessor with mystery ensuing.
The plot really stretches your imagination and has some till eye moments with certain important explanations never given and just assumed.
Still the screenplay and acting keeps you engrossed with never a full moment and the graphics ain't bad despite some psychedelic type camera work.
Definitely worth a watch for sci-fi buffs.
6.5/10.
Yeah, but what about Mark Strong?