I used to be a fan of Tarantino films but i've recently re-evaluated them and I don't really feel like they will stand the test of time.
He's played fast and loose with safety (Uma Thurman) sexuality and racial language and all of this has to be taken into the context of being bankrolled by the odious Weinstein.
I think he is a "film school director" - one who's all too eager to show off his film knowledge and influences and resorts to seeking out controversy to enrobe himself in an "auteur" status when he has actually been funded by mainstream Hollywood since the get go.
I can accept Reservoir dogs as a one-off young directors film but there has been little actual progression in his films since. His films have been parodic facsimiles of other genre films with a Hollywood star in place of a Hong Kong Martial artist.
The violence in his films is "stylized" but doesn't ever seem to have any genuine consequences...the blood stays a picturesque vivid red...for cinematic reasons.
What is sad is there is some real writing talent there...I loved the opening scenes of Inglorious Basterds...Christoph Waltz showing us a new view on ruling by oppression and fear...and then reality flies out the window and it's like watching "Where eagles dare" where SOME Jewish people just fight back and exact revenge against the Nazis so that's all good then???
Django Unchained seemed an excuse to use up a lot of race based material and again just had a one dimensional revenge plotline. He's then focused on his 60's and 70's timeline - did we learn anything new about the Manson Family or was it just an excuse for showing women in peril / being slapped around again?
This constant use of revenge as a plot line is tiresome - it's like Michael Winner has b
een reborn with an LA attitude and penchant for footsie.
He's clearly a talented writer but maybe he got too big too soon and no-one has been around him to challenge him and stop him falling back into lazy tropes. He's since adopted the persona of a "cult" director but I think there's a spelling mistake in there somewhere.
I don't think his films are necessarily made to stand the test of time in a Citizen Kane, Casablanca, or Chinatown sense. Still, some of his films will stand the test of time because of how well done they are and their influence on pop culture during the periods they were released.