Steve's Pretentious Lit. Bit

Steve's next-next-next-next (after whatever six project's he's currently working on) book is about a vampiric - literally - agent (who only kills bad writers).

Our heroine will be a reclusive, disillusioned heiress who, having grown up with money all her life, can't understand what the current economic-meltdown fuss is all about. A "family friend" (read: professional freeloader) who is preparing his own family-expose and wants to ride the wave, convinces her to write her memoirs. As fate would have it, her manuscript lands at the door of our bloodsucking anti-hero, who of course anticipates another exquisite meal...

Except she's good. Damn good. Whether it's robber-baron shrewdness or practical trophy-wife sensibility that she's inherited, she's got a flair for words. Enough to give Drac-agent -who through the years has seen Shakespeare, Hammurabi, Rumi etc etc. - give pause.

Then she bypasses him and e-publishes. Drama ensues.

"Her top was cut so low it could have handled the bass line in a barbershop quartet..."
 
The primary texts I need to read for this semesters lit module are as follows:

D.H. Lawrence, Lady Chatterley’s Lover (1928; London: Penguin, 2006)
Walter Greenwood, Love on the Dole (1932; London: Vintage, 1993)
Lewis Jones, Cwmardy (1937; Cardigan: University of Wales Press, 2006)
Sam Selvon, The Lonely Londoners (1956; London: Penguin, 2006)
John Braine, Room at the Top (1957; London: Arrow, 1989)
Buchi Emecheta, Second-Class Citizen (1974; London: Heinemann, 1994)
Pat Barker, Union Street (London: Virago, 1982)
Irvine Welsh, Trainspotting (1993; London: Vintage, 1994)

Just started reading Love on the Dole which is pretty interesting as it's set in 1930's Salford.

Read this for my Post Colonial module enjoyed it
 
Never heard of Lewis or Selvon. The Colin McInnes trilogy on late 50s/early 60s London was good when I read it about a hundred years ago.
 
Not McInnes' fault of course but the film version of Absolute Beginners was bleedin' awful though. :D