No. 11 - London Calling (The Clash)
Total Points: 46
Number Of Lists: 9
Highest Position: 1
Voter Of Highest Position:
@Wing Attack Plan R
Frankly shocked I'm the only person who had this at #1. The Clash pulled off miracle after miracle, a highwire act that no one else came close to achieving. The first two albums had them sounding more or less like a roughed up version of a bar band. Mick Jones was busy ripping off The Who, and while those first two albums are also brilliant, they are eclipsed by the magnus opus of London Calling.
Starting with the album art, it's both a statement of intent and proof of concept. The lettering is homage to an Elvis Presley album, except instead of a grinning, white-toothed Elvis, it's got Paul Simonon smashing his bass guitar in a splay-legged pose that looks like he's trying to split the earth in two. But with their cover of Brand New Cadillac, The Clash were stating that as much as they were taking an axe to the old world, they still loved rock's roots. Punk was still loose enough in 1979 (released in 1980 in the USA) that it hadn't calcified into rules and uniforms. So sometime during the recording process of this album, they had a band meeting and decided they did not give two fecks about what their fans wanted -- or expected.
And it shows.
London Calling has songs that loosely fit into rock, rockabilly, jazz, dub, ska, R&B, pop. In their minds, there was nothing more "punk" than making a punk album that had nothing to do with punk. Somehow the sheer brazenness paid off. Topper Headon (drummer) was probably the best musician in the band, but the tunes don't rely on musicianship, The Clash nailed a vibe and embodied an ideal that no band has ever matched. They looked cool as feck. They came up with a sound that is theirs alone. Even for people who don't like reggae, they end up liking The Clash's version of dub (Guns Of Brixton). They even have saxophones on this record (Wrong Em Boyo)! It's madness.
This album also has Mick Jones really stepping up his game, with Lost In The Supermarket, The Card Cheat, the hidden track Train In Vain, and Paul Simonon contributing one of their most iconic songs (and his first and only lead vocal) The Guns Of Brixton. Jones and Strummer's styles complemented each other perfectly here, a bit of rough and a bit of smooth. You have a ballad like Lost In The Supermarket alongside Joe's love paean to Spain, Spanish Bombs. Elsewhere, Joe Strummer really dove headfirst into his role as the people's poet. There are songs about the Spanish civil war, Montgomery Clift's car accident, cocaine and corporate types, and the struggle of trying to stay rebellious while the world moves on with wives and children. Some of his all-time best lyrics are here, including "I believe in this and it's been tested by research, he who fecks nuns later joins the church" (Death Or Glory).
If you haven't seen Rude Boy, you should, just to see how incendiary these guys were. I never got to see them live, although I did see Joe Strummer & The Mescaleros. I bought London Calling when I was 13. It is one of the foundational albums of my life. It's a loose, almost ramshackle, drunken dance through musical genres, but at its core it displays a savage intellect and a rejection of the punks-are-dumb stereotype. They stood with and apart from their contemporaries like The Damned and Sex Pistols, sounding nothing like either of them but somehow all 3 propping up the edifice of punk rock nonetheless. The Clash marked the first attempt at having some kind of real social consciousness, some ethical component to a band's work. Crass picked up on this later and ran with it, but The Clash directed people's attention to things like US imperialism, racism, and war.
The Clash left an impact crater in fans' lives and aspiring musicians' lives in an echo of The Beatles' impact before them and Nirvana's impact following them. People are still trying to nail the casual combat look they perfected. People are still trying to
mean something in their music, still trying to keep the flame lit that Joe Strummer sparked into life. Rancid, Channel 3, Social Distortion, Stiff Little Fingers, The Specials, Red Rockers, The Pogues, Billy Bragg, Manic Street Preachers, Green Day - any number of rock-based punk bands have total hero worship for them. Basically every rock band and album since 1980 is some combination of Beatles and Clash influences. So there are probably plenty of kids out there who don't know The Clash but they love Green Day, which is basically a tribute act.
London Calling also a love letter to pot, cocaine, heroin, and beer. Headon became a full-blown junkie and was fired in 1982. Mick Jones got fired for the same thing. The Clash soldiered on for one more shitty album. Joe went drug-free but his early years still caused his heart to give out at 50 years old. Their legacy is still everywhere. There are people like me who were forced to listen to The Beatles as an adult, and while I recognize that The Beatles are the most talented/genius pop group of all time, I like The Clash more. I can't explain it.
This album (and Pet Sounds) is a must for any rock fan.