You can't kill something that doesn't exist.
You can't kill something that doesn't exist.
I enjoyed Sin City but I wouldn't class that as a similar experience to reading comics, just copying a visual style. Its an impossible thing to recreate on screen as it's a different communication system entirely.
I haven't read the novel but one of my housemates is a big comic fan and he said it was the best adaptation of any of the comics so far. I just like the fact it wasn't paced for the computer game playing ADHD kids, it took it's time, built the scene, story and characters and the mood was fantastic. Similar to V for Vendetta in that sense, another film I loved.
Watchmen is definately in my Top5 films of the last 5 years.
I was blown away when I watched it. It's better than TDK in my opinion.
Whilst I didn't like The Dark Knight very much, I agree with you, re: Watchmen.Watchmen was horrendous, it's not fit to lick the sole of TDK's boot.
Watchmen was horrendous, it's not fit to lick the sole of TDK's boot.
I said in my opinion
Does that make it ok to be wrong?
The end of the last one sets up a story rife with "One Last Ride" undertones, IE most of the movie being about Bruce Wayne and him being on an involuntary sabbatical, exploring the possibility of shedding the Batman persona, slowly getting used to fighting social injustice as an influential public figure, slowly getting addicted to this new (yet oh-so-familiar) persona - 'beloved by the people, hated by the wicked'-
-then against the wishes of his inner circle, being forced/compelled/addicted to don the costume one last time.
That being said, I think they're going to bankrupt him and out him. Strip him of his financial clout, deny him his Batman persona, and you arrive at the essence, at the core of what makes him a hero (or not)...
Bruce Wayne, having to keep a low Bat-profile, instead turns to his alter-ego to find avenues to help Gotham. Tying in with you-know-who's "The day may come when Gotham no longer needs Batman..." speech. Bad guy (Riddler, probably) outs him and suddenly the entire core group of good guys: Gordon, Fox, all removed from power in that single stroke.
Into the vacated void of power pour new figures who seem like genuinely grateful blokes: thanks to Gordon's testimony they pardon Batman (not Bruce Wayne), but not without implying that Batman is never to make an appearance again. We've got everything under control now, thanks very much. They're not necessarily bad guys quite yet, but you can see them growing to like their money and power. Riddler taunts Bruce Wayne over how futile all his efforts really were, how his personal losses were all in vain, how silly his caped-crusader phase was in that light, how his escape into his Bruce Wayne-hood - regardless of his altruism - was just another form of all men's lust for power and adulation.
Then set the law on his Wayne persona. Batman is too respected to be punished, but Bruce Wayne is just a man. Have the government freeze his assets and tacitly allow his competitors at his family's empire and legacy, the citizens of Gotham watching as their Camelot crumbles, helpless to circumvent that which is Institution. He is nationally vilified, his political connections flee from him, and for the first time in a long time he feels truly powerless, trapped, frustrated, with no outlet, with the elusive Riddler serving as mouthpiece for his own confusion and self-doubt. Nothing, not even a man as powerful and well-connected as Bruce Wayne can break the rules mandated by society's aspirations towards civilization.
Is there nothing that can?
Doesn't that sound, well, I don't want to say kiddie, but I wouldn't bet on Nolan going for something like that. That's very "Oh-poor-me-I'm-full-of-teenage-angst-and-no-one-really-understands-who-I-truly-am". They got that out of the way (wisely) in the first movie.
If they do kill him I'd wager it'd be in a way that he looks the villain except to the audience/circle of friends.
In your opinion.
I disagree that a film with Batman and Superman wouldn't work, as characters they play off each other well, and I mean, they're Batman and Superman, they're great. But in no way would I want to see Superman and Batman together in a Nolan film. Nolan's film universe has already been clearly established as realistic, or as realistic as you can get with Batman. He's already turned Ras Al-Ghul from an immortal dude into Liam Neeson, he can't go throwing super-powered aliens into his film universe now, it would ruin everything, it would be like that robot in Rocky 3. Just no.
No! You can't kill Batman!Right. Absolutely pointless discussion thread this but as an offshoot of a convo I was having in the newbies with gambit and some newbs, and a convo I had with Weaste in some other thread about it a while ago...Do those who've liked Nolan's Batmans (or not for that matter) think he should kill him in the 3rd one?
I do...
Sacrificial redemption ending, memorable and possibly epic closing chapter, closes Nolan's canon definitively, packs a punch that isn't just a partial re-tred of one of the earlier themes...works in his universe of semi-realism.
What say you?..If you care
If you'll allow me to go off an a tangent Mockers....who would you cast as Old!Bruce Wayne?
NMy guess is someone is going to 'reinvent' the whole thing 40 years from now like Nolan has. So it makes no sense for him to die.
Unfortuanetly though, its not just a film saga. It's Batman, something Nolan himself has admitted to being a huge nerdy fanboy. He's actually taken a lot for the comics in his films, sometimes literally shot for shot. His films are actually a huge homage to the characters in some respects. He's not just suddenly come in and created a new version of the Batman that no ones seen before. It's more an amalgam of various stories , Year one, the Long Halloween, Killing Joke, Arkham Asylum, The Dark Knight Returns etc. In that he has no control and him killing off the Batman, regardless of of film techniques, storytelling and Kubrickisms,is not his decision to make. Superman v Batman isn't a story in itself it's part of a grander tale and if he was able to deliver that tale the way he has the ones he's intertwined already it could work. He's not making art, he's making a film about a masked vigilante that has already been told in many tales beforehand that he himselfs worships.I think the main obstacle to people not wanting him to die is that it's Batman...you can't kill Batman.
If this wasn't Batman...if this was something Nolan had written called Night Thunder Hawk Man...then I'd guess a lot more people would say the logical conclusion would be to kill him off triumphantly...However since it's Batman people chime in with "well it's got legs, there are more villians, you can't do that" etc etc
But you need to not think of it as Batman, but as a film trilogy in of itself IMO. Batman will continue as a franchise even if Nolan added a 20 minute scene where Batman was forced to suck Alfred's cock in explicit detail at the end....it just will...Someone else will do Batman vs Conan, or whatever
For me some trilogies, or sagas, or whatever, need their characters to die to reach a satisfactory conclusion of the story....Some don't (Indiana Jones shouldn't ever die for example..neither should Bond) but some do (Frodo should've died in LoTR, Ripley had to die in Alien 3..ditto the Terminator, though they kept fecking that one up)
Essentially as Nolan's 3 film Superhero saga, I think Batman really needs to die to complete the circle and ram home the message of sacrifice for the greater good, which is at the core of Batman, and particularly Nolan's ones...
If you think of it less as Batman and more as just a film saga, I'm sure more people would agree....Films shouldn't really pander to fans IMO, that's when they feck up. Hence why people saying Superman vs Batman should happen are completely wide of the mark...That's just fandom/geekdom getting the better of itself..no matter how well you think the character could be served, these films should work in a self contained canon of their own...For me it shouldn't be about how well it services the history of the Batman character, it should be about what makes the best ending to these films....
Sometimes film has a right to feck over it's literary roots if it makes into a more coesive, logical story in of itself. I reckons
Good examples being The Shinning, which Stephen King hated, mainly because it ended on a downer and didn't give Jack a redemptive ending that's in the book, to the point of making his own version which he hoped would be the definitive one...many fans hated it too....But you know what? Kubrick's ver is regarded as the best...Another Kubrick film - The Clockwork Orange - had a similarly redemptive ending the directer removed, which the original author was annoyed about again...He even made a stage version to rectify it...but again, Kubrick's vision prevailed...
Another one..The Prestige...Nolan changed quite a bit from the book, this time the author actually really liked it...In all cases the film maker messed with the source material (and also in all cases, gave the film a more depressing ending) and their version was the one that worked best...
Proof if it be needed that staying loyal to stuff isn't always the best way.
Erm....Mickey Rourke?...no...no...Bruce Willis?...in a wig!
That's precisely the reason why you can
Erm....Mickey Rourke?...no...no...Bruce Willis?...in a wig!
That's precisely the reason why you can
No you can't. Batman has a story of his own. Nolan has just put his spin on it. It's still Batmans story. He's an icon. Nolan is just another director to tell the story of Batman. There will be loads of others. You can't just kill him off and then bring him back to life again and again. Superheroes shouldn't die IMO, defeats the purpose in being super doesn't it
Tell me something, does it make any sense to kill James Bond?
James Bond is considered to be one unending canon, whereas Batman is multiple and unrelated canons which serve different storytelling purposes - I doubt anybody has any trouble between separating the joker of Batman and the joker of the Dark Knight so one franchise where he lives and another where he dies ought to be no problem.
After all the whole point of different canons and reboots is to allow writers the utmost creativity to head for different directions so it almost defeats the purpose of rebooting if you regulate where you can and cannot go.
James Bond is considered to be one unending canon, whereas Batman is multiple and unrelated canons which serve different storytelling purposes - I doubt anybody has any trouble between separating the joker of Batman and the joker of the Dark Knight so one franchise where he lives and another where he dies ought to be no problem.
After all the whole point of different canons and reboots is to allow writers the utmost creativity to head for different directions so it almost defeats the purpose of rebooting if you regulate where you can and cannot go.
Unfortuanetly though, its not just a film saga. It's Batman, something Nolan himself has admitted to being a huge nerdy fanboy. He's actually taken a lot for the comics in his films, sometimes literally shot for shot. His films are actually a huge homage to the characters in some respects. He's not just suddenly come in and created a new version of the Batman that no ones seen before. It's more an amalgam of various stories , Year one, the Long Halloween, Killing Joke, Arkham Asylum, The Dark Knight Returns etc.
In that he has no control and him killing off the Batman, regardless of of film techniques, storytelling and Kubrickisms,is not his decision to make.
Superman v Batman isn't a story in itself it's part of a grander tale and if he was able to deliver that tale the way he has the ones he's intertwined already it could work. He's not making art, he's making a film about a masked vigilante that has already been told in many tales beforehand that he himselfs worships.
Yes it is...who's is it?
Batman of course. Nolan is just a puppet.
Do you go to conventions?