villain
Hates Beyoncé
- Joined
- Apr 22, 2014
- Messages
- 14,986
But that's the thing... Yeezus wasn't actually bad, it was just different. It was Kanye's attempt at a Magnum Opus but it fell short because it tried too hard to change the musical landscape. I think Kendrick's trying to do the same thing with TPAB.
Both artists are guilty of believing their own hype though, admittedly, KL has produced something with oodles more artistic integrity. It's an album that I find thoroughly engaging whilst I'm listening to it, but largely forgettable after the last track ends. And this is coming from somebody who usually loves music that's literary and pretentious.
To Pimp A Butterfly works on maybe a couple of levels, whereas my favourite albums tend to work on about 5 or 6.
I disagree fundamentally, I think the combination between a cappella, soul & jazz, to loud and brash instrumentals work very well.
I do agree that it's his Yeezus because he is trying something different and trying to challenge everyone who listens - from the privileged white folk, to the self-destructing black folk alike. There's a message that applies to everyone.
I'm glad he did something that's new, unique and some what uncomfortable at times because given the racial politics that's been happening in the last few years particularly in America, it's a great thing for an artist like Kendrick being proud to be black.
As a hip hop fan I want music to have meaning, and that represents the culture in a positive light - that's not all about the stereotypes of hip-hop, and it would've been easy for Kendrick to make another GKMC, and he's certainly capable, but music shouldn't be about churning out the same thing over and over. He's pushing the boundaries and taking hip-hop back to what it used to be about.
But then again I loved Yeezus