Mockers still fighting the good fight when it comes to Avatar. It could have been so much more. He was guaranteed a huge audience turn out; he could have afforded to deviate from formula. But then again, he's on record saying he had to "save" things for the sequels...
I thought Avatar was very disappointing visually, given the money and the hype. Some bits were good, like the floating rocks, but a lot of it looked like they'd gone down Camden Market, bought some day-glo tubes and hung them on some trees.
I'm always amazed by how uncreative Hollywood is when it comes to aliens and alien worlds. Fair enough this was an allegory so it had to look somewhat like a rainforest, but where was the invention? The plants, apart from that cool retracting shellfish-like one, looked like plants. The animals were basically horses, rhinos, dogs and dragons, with a few little twists. They had close to carte blanche, why couldn't they come up with some totally original stuff, that wasn't even a plant or animal at all?
Also, given how they were all super-sensitive and tuned in to nature, the aliens had very crude features. The hair thing was good, though a bit too like dreadlocks, again it should have been more delicate to fit their natures...
The first draft of the scriptment contained far more biodiversity: swarming giant mosquitos, asexual unicorn/leopards that fired their poisonous head-dart to kill their prey, giant vertical venus fly traps, and huge floating jellyfish the size of blimps, with ten-story electrified tentacles. (And can most of us perhaps anticipate how all these creatures would come into gleefully bloody play during the final fight against the humans? Methinks we can...)
The Na'vi are described as more cat than humanoid, capable of walking upright but preferring to go on all fours, with jointless fingers/toes that terminate in flat pads. One can understand why they decided to anthropomorphize them.
A couple of things I may have left out in the previous 459-page analysis of that first-draft script:
The filmmakers really messed up getting rid of the environmental liaison officer character, the one who compiles a weekly TV show of sorts to send back to Earth - (
Hey, folks, here's what's happening on Pandora!) - and who was being bribed by the corporation to be sure to paint a rosy picture for the humans on their dying home planet. The triumvirate of him, the Giovanni Ribisi corporate hound, and the bloodthirsty general worked to perfection in the third act as they picked sides and acted like real people, driving the story on.
The general, for example, who really means it when he says his job is to keep the humans alive, doesn't really want to go all genocidal. He gets ordered to. And he gets battle-rage
during the battle as he sees his men - that he's sworn to protect - dying in terrible ways.
IIRC the final battle was comprised of a two-pronged attack, one on the main human force and one on the central human compound. Basically insurgent Avatars being controlled from within the main link chamber helping to attack the base, and human forces not figuring this out for a while, and then mounting an assault on the scientists holed up in the science building. The Michele Rodriguez character helps the scientists and eco-officers get into the armory in the base. And of course, them being puny civilians, they all get in deep deep trouble before Mother Pandora answers Jake's "prayer" and sends swarms of critters to help.